Alessia NadinI am grateful that I was born and raised in a simple environment that taught me respect for rhythm, silence, words. Perhaps my love for music comes from this and from the eternal sense of disorientation. They are curious and full of amazement beginnings and perhaps in those mornings greedy for light the desire to use singing as an expressive modality grows and becomes alive in me. I have time to correct the route: destination Venice. There waiting for me The Benedetto Marcello conservatory and a decisive teacher, Stella Silva. Then intuitive and unexpected things arrive: graduation, first concerts, the first consents and the first auditions. And roles in unforgettable productions: Mozart's Cosi fan tutti, Rossini's The Barber of Seville, Mozart's Marriage of Figaro. And theate
Past performances 2000 — Yesterday
Anna Bolena (Anne Boleyn), Donizetti
Teatro Verdi di TriesteGiovanna Seymour (Jane Seymour)
View cast and crewLe nozze di Figaro (The Marriage of Figaro), Mozart
Teatro Nuovo Giovanni da UdineMarcellina (Marcelline)
View cast and crewLe nozze di Figaro (The Marriage of Figaro), Mozart
Teatro Nuovo Giovanni da UdineMarcellina (Marcelline)
View cast and crewAlessia NadinI am grateful that I was born and raised in a simple environment that taught me respect for rhythm, silence, words. Perhaps my love for music comes from this and from the eternal sense of disorientation. They are curious and full of amazement beginnings and perhaps in those mornings greedy for light the desire to use singing as an expressive modality grows and becomes alive in me. I have time to correct the route: destination Venice. There waiting for me The Benedetto Marcello conservatory and a decisive teacher, Stella Silva. Then intuitive and unexpected things arrive: graduation, first concerts, the first consents and the first auditions. And roles in unforgettable productions: Mozart's Cosi fan tutti, Rossini's The Barber of Seville, Mozart's Marriage of Figaro. And theate