Havanaise, G.Bizet/J.Serebrier Carmen Symphony
Caroline Vitale
Mezzo-soprano
Caroline Vitale works as a freelance mezzo-soprano, she appears as a soloist in operas, gives concerts and recitals, works as a singing teacher and conceives her own music projects with various partners. At the Lucerne Theater, where she plays major roles in her field, such as the title role in Handel's Oreste, Dinah in Bernsteins Trouble in Tahiti, Charlotte (Werther), Idamante (Idomeneo), Nicklausse (Les Contes d'Hoffmann), Orfeo (Orfeo ed Euridice) , Concepción (L'Heure espagnole), Dejanira (Hercules), Giovanna Seymour in Donizetti's Anna Bolena or Hermia (A Midsummer Night's Dream), she was part of the ensemble in the season 20/21. She was nominated as best singer by the magazine "Opernwelt". After her first permanent engagement in Trier, she was associated with the Mainz State Theater
Upcoming performances Today Onwards
Past performances 2005 — Yesterday
Revue des Folies – Doktor Ox, Offenbach
Luzerner TheaterMme Van Tricasse (Madame Van Tricasse)
View cast and crewCendrillon (Cinderella), Massenet
Madame de la Haltière (Madame de la Haltiere)
View cast and crew-
Revue des Folies – Doktor Ox, Offenbach
Luzerner TheaterMme Van Tricasse (Madame Van Tricasse)
View cast and crew-
Prodaná nevěsta (The Bartered Bride), Smetana
Gartenoper LangenthalHáta (Hata)
View cast and crewCaroline Vitale works as a freelance mezzo-soprano, she appears as a soloist in operas, gives concerts and recitals, works as a singing teacher and conceives her own music projects with various partners. At the Lucerne Theater, where she plays major roles in her field, such as the title role in Handel's Oreste, Dinah in Bernsteins Trouble in Tahiti, Charlotte (Werther), Idamante (Idomeneo), Nicklausse (Les Contes d'Hoffmann), Orfeo (Orfeo ed Euridice) , Concepción (L'Heure espagnole), Dejanira (Hercules), Giovanna Seymour in Donizetti's Anna Bolena or Hermia (A Midsummer Night's Dream), she was part of the ensemble in the season 20/21. She was nominated as best singer by the magazine "Opernwelt". After her first permanent engagement in Trier, she was associated with the Mainz State Theater