Izrādes kredīti
Gaidāmās izrādes Šodien Uz priekšu
Iepriekšējās izrādes 2010 — vakar
L'Enfance du Christ de Berlioz dirigée par Hervé Niquet, Berlioz, H.Berlioz, L. H.
Orchestre Symphonique de MontréalUn récitant (The Narrator)
Skatīt dalībniekus un komanduDie Zauberflöte (The Magic Flute), Mozart
Théâtre des Champs-ElyséesTamino
Skatīt dalībniekus un komanduPiedāvātās iepriekšējās izrādes
L'Enfance du Christ de Berlioz dirigée par Hervé Niquet, Berlioz, H.Berlioz, L. H.
Orchestre Symphonique de MontréalUn récitant (The Narrator)
Skatīt dalībniekus un komanduGaidāmās izrādes
27Boléro, BonisBizetRavel
Orchestre National de LyonTenor
Skatīt programmu, dalībniekus un komanduLes Festes grecques et romaines, Colin De Blamont
Opéra Royal de VersaillesTenor
Skatīt dalībniekus un komanduLe Domino noir (The Black Domino), Auber
Opéra ComiqueHorace de Massarena
Skatīt dalībniekus un komandu1. Symphoniekonzert Cambreling – Berlioz »Roméo et Juliette«, Berlioz, H.
Hamburg Symphony OrchestraTénor (Tenor)
Skatīt dalībniekus un komanduRequiem De Mozart, Lisette Oropesa / Cyrille Dubois, PoulencMozart
Maison de la Radio et de la MusiqueTenor
Skatīt programmu, dalībniekus un komanduCyrille Dubois Tenor; Tristan Raës Piano, MassenetFauréDubois, T.Godard, B.Saint-Saëns
Wigmore HallVoice + 1 lomas
Skatīt programmu, dalībniekus un komanduLe comte Ory (Count Ory), Rossini
Théâtre des Champs-ElyséesLe Comte Ory (Count Ory)
Skatīt dalībniekus un komanduOrphée aux enfers (Orpheus in the Underworld), Offenbach
Opéra national du CapitoleOrphée (Orpheus)
Skatīt dalībniekus un komandu
Biogrāfija
Considered today as one of the best French tenors of his generation, Cyrille Dubois is an artist insatiable in discovering new repertoire. The ductility of his timbre, his mastery of nuances and his infinite musicality allow him to sweep a wide spectrum of the lyrical repertoire ranging from Baroque to contemporary music through the classical period or French comic operas. He discovered singing during his childhood in the hourly classes arranged by the Maîtrise de Caen (directed by Robert Weddle). A few years later, he entered the CNSM (Conservatoire National Supérieur de Musique) in Paris as a tenor in the class of Alain Buet, then joined the prestigious Atelier Lyrique of the Paris Opera, which gave him his first opportunities to perform in stage. Commitments then followed on many oper
