Минали изпълнения 2011 — Вчера
Mack und Mabel (Mack and Mabel), Herman
Gerhart-Hauptmann-TheaterRehearsal director dance company
Преглед на артистите и постановъчната трупаAufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny), Weill
Gerhart-Hauptmann-TheaterChoreographer
Преглед на артистите и постановъчната трупа-
Das Land des Lächelns (The Land of Smiles), Lehár
Gerhart-Hauptmann-TheaterChoreographer
Преглед на артистите и постановъчната трупаAufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny), Weill
Choreographer
Преглед на артистите и постановъчната трупаDinorah, Meyerbeer
Gerhart-Hauptmann-TheaterChoreographer
Преглед на артистите и постановъчната трупа-
The Wizard of Oz (Over the Rainbow), Arlen
Gerhart-Hauptmann-TheaterChoreographer
Преглед на артистите и постановъчната трупа-
Mack und Mabel (Mack and Mabel), Herman
Gerhart-Hauptmann-TheaterRehearsal director dance company
Преглед на артистите и постановъчната трупаDas Land des Lächelns (The Land of Smiles), Lehár
Gerhart-Hauptmann-TheaterChoreographer
Преглед на артистите и постановъчната трупаThe Producers, Brooks
Gerhart-Hauptmann-TheaterChoreographer
Преглед на артистите и постановъчната трупаDie Csárdásfürstin (The Gypsy Princess), Kálmán
Gerhart-Hauptmann-TheaterChoreographer
Преглед на артистите и постановъчната трупа-
Der Vogelhändler (The Bird Seller), Zeller
Gerhart-Hauptmann-TheaterChoreographer
Преглед на артистите и постановъчната трупа-
Whereof one cannot speak
The choreographic creations of Marko E. Weigert and Dan Pelleg have made guest appearances abroad in 14 countries (with the support of various Goethe Institutes and German consulates), in 26 German cities nationwide, and have been acclaimed by the press and audiences. After 12 years as directors of the independent Berlin-based wee dance company, they were appointed in 2011 to lead the dance division at the Gerhart-Hauptmann-Theater Görlitz-Zittau, where the company has since become a permanent fixture. Together, Weigert and Pelleg have brought 20 full-length dance premieres and 5 revivals to the stages of the GHT (2 of them with guests, 3 choreographed by guests) and are responsible for the choreography of 24 premieres of musical theater and drama at these theaters. In addition to the au