It fascinates me to express feelings with my voice and to touch people deep inside. That's why I like working with directors and conductors who take the text seriously. Who fathom the depth of a character. It almost doesn't matter whether it's new or old music, great classics or small chamber works, opera or oratorio - the main thing is that the music tells me something. Trying out different styles and pieces of music was important to me even during my studies. Fortunately, Prof. Yaron Windmüller at the Saarbrücken University of Music encouraged me to do this and always gave me good advice. Prizes from the Zonta-Club Saarbrücken, Richard-Wagner-Verband, as a finalist at Schubert and Moderne Graz and the nomination for Young Singer of the Year in the Opernwelt encouraged me in my course.
Upcoming performances Today Onwards
Past performances 2006 — Yesterday
-
A Room of One’s Own, Tarkiainen
A kékszakállú herceg vára (Bluebeard's Castle), Bartók
Savonlinna Opera FestivalMARY BETON
View program, cast and crewPalm Sunday, Bach, J. S.
Soprano
View program, cast and crew-
A Room of One’s Own, Tarkiainen
A kékszakállú herceg vára (Bluebeard's Castle), Bartók
Savonlinna Opera FestivalMARY BETON
View program, cast and crewBruckner Geistlich, Bruckner
Aalto-Musiktheater EssenSoprano
View cast and crew5. Kammerkonzert: Chants D'auvergne, Vaughan WilliamsMertens, H.SchumannRavelCanteloube
Wuppertaler Bühnen und Sinfonieorchester GmbHVoice + 2 roles
View program, cast and crew3. Chorkonzert - Im Anfange, Haydn
Wuppertaler Bühnen und Sinfonieorchester GmbHEva
View cast and crewGroßes jubiläumskonzert: die Wuppertaler Kurrende feiert 100. geburtstag, Bach, J. S.Mendelssohn
Historische StadthalleSopran I (Soprano I)
View program, cast and crewIt fascinates me to express feelings with my voice and to touch people deep inside. That's why I like working with directors and conductors who take the text seriously. Who fathom the depth of a character. It almost doesn't matter whether it's new or old music, great classics or small chamber works, opera or oratorio - the main thing is that the music tells me something. Trying out different styles and pieces of music was important to me even during my studies. Fortunately, Prof. Yaron Windmüller at the Saarbrücken University of Music encouraged me to do this and always gave me good advice. Prizes from the Zonta-Club Saarbrücken, Richard-Wagner-Verband, as a finalist at Schubert and Moderne Graz and the nomination for Young Singer of the Year in the Opernwelt encouraged me in my course.