Sein wir wieder gut - Emilie Renard, Mezzo-soprano
Næstu sýningar Í dag áfram
Fyrri sýningar 2010 — Í gær
Hänsel und Gretel (Hansel and Gretel), Humperdinck
Theater MagdeburgHänsel (Hansel)
Skoða leikara og mannskap-
Lessons in Love and Violence, Benjamin
Cité de la Musique-Philharmonie2. Witness (Witness 2)
Skoða leikara og mannskapDer Zaunkönig und die silberne Flöte, Kanefzky
Theater MagdeburgErzählerin/Sängerin
Skoða leikara og mannskapDie Blume von Hawaii (The Flower of Hawaii), Abraham
Theater MagdeburgBessie
Skoða leikara og mannskap-
Juditha Triumphans ("Judith Triumphant"), Vivaldi
Innsbrucker Festwochen der Alten MusikAbra
Skoða leikara og mannskapAlice's Adventures Under Ground, Barry
Theater MagdeburgQueen of Hearts + 1 hlutverk
Skoða leikara og mannskapHänsel und Gretel (Hansel and Gretel), Humperdinck
Theater MagdeburgHänsel (Hansel)
Skoða leikara og mannskap-
Lessons in Love and Violence, Benjamin
Cité de la Musique-Philharmonie2. Witness (Witness 2)
Skoða leikara og mannskapDer Zaunkönig und die silberne Flöte, Kanefzky
Theater MagdeburgErzählerin/Sängerin
Skoða leikara og mannskapDie Blume von Hawaii (The Flower of Hawaii), Abraham
Theater MagdeburgBessie
Skoða leikara og mannskap-
Juditha Triumphans ("Judith Triumphant"), Vivaldi
Innsbrucker Festwochen der Alten MusikAbra
Skoða leikara og mannskapLyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theater MagdeburgNicoletta
Skoða leikara og mannskapLe nozze di Figaro (The Marriage of Figaro), Mozart
Theater MagdeburgCherubino
Skoða leikara og mannskapSieg der Schönheit (Victory of Beauty), Telemann
Theater MagdeburgMelite
Skoða leikara og mannskapAnglo-French mezzo-Soprano Emilie Renard exploded onto the international performing scene by winning first prize in the 2013 Antonio Cesti Competition at the Innsbruck Festival. A Britten Pears Young Artist in 2010, Emilie Renard’s prowess as a recitalist was further demonstrated by her award of the Premier Prix de la Mélodie Française, at the 22nd Concours International de Chant de Marmande, where she also carried off the overall First Prize for Women’s Voices. Having already made her professional debut in Richard Jones’ famed production for English National Opera of Martinů’s Julietta, her repertoire embraces five centuries of music, from Amore in Monteverdi’s L’incoronazione di Poppea (“… a remarkably convincing teenage boy”) and Purcell’s Dido (“… the pure musical expression of a hear