Frammistaða áskriftir
Næstu sýningar Í dag áfram
Fyrri sýningar 2011 — Í gær
Guillaume Tell (William Tell), Rossini
NOF - Nouvel Opéra Fribourg - Neue Oper FreiburgHedwige (Hedwig)
Skoða leikara og mannskap-
Der Rosenkavalier (The Knight of the Rose), Strauss
De Nationale OperaAnnina
Skoða leikara og mannskapVU-Orchestra plays Mahler's Symphony No. 2, Mahler
Het ConcertgebouwMezzo-soprano (Mezzo-Soprano)
Skoða leikara og mannskapKönigskinder (The King's Children), Humperdinck
De Nationale OperaDie Stallmagd
Skoða leikara og mannskapDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Eine Stimme von oben (A voice from above)
Skoða leikara og mannskapSýndar fyrri sýningar
Guillaume Tell (William Tell), Rossini
NOF - Nouvel Opéra Fribourg - Neue Oper FreiburgHedwige (Hedwig)
Skoða leikara og mannskap-
Der Rosenkavalier (The Knight of the Rose), Strauss
De Nationale OperaAnnina
Skoða leikara og mannskap
Königskinder (The King's Children), Humperdinck
De Nationale OperaDie Stallmagd
Skoða leikara og mannskap
Elektra (Electra), Strauss
Palau de les Arts Reina SofiaErste Magd (First maid)
Skoða leikara og mannskapNæstu sýningar
22Il Trittico, Puccini
Dutch National Opera & BalletLa Maestra delle Novizie (The Mistress of the novices)
Skoða dagskrá, leikarahóp og mannskapRigoletto, Verdi
Dutch National Opera & BalletGiovanna
Skoða leikara og mannskapDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Dutch National Opera & BalletEine Stimme von oben (A voice from above)
Skoða leikara og mannskap
Æviágrip
Praised for her special ‘ability to express the moods hidden in the music – from sadness to exuberance’, mezzosoprano/contralto Eva Kroon in recent years has come to the forefront of the Dutch music scene as a singer of choice for roles for the lower female voice, steering, for instance, the third act of Offenbach’s Les contes d’Hoffmann ‘to a seldom heard highlight’ (Theaterkrant). Eva Kroon studied both piano and voice at the conservatories of Utrecht and The Hague, and gained her master in Opera Singing at Dutch National Opera Academy. Early roles include Second Lady (The Magic Flute), Gluck’s Orfeo and Purcell’s Dido. She followed workshops in Berlin and at Dutch National Opera (French repertoire, with Jean-Philippe Lafont and Leontina Vaduva). From 2012-2017 she was coached by Abbie F
