Crediti di rappresentazione
Prossimi spettacoli Da oggi in poi
Spettacoli passati 2011 : ieri
Guillaume Tell (Guglielmo Tell), Rossini
NOF - Nouvel Opéra Fribourg - Neue Oper FreiburgHedwige (Edwige)
Visualizza cast e team creativo-
Der Rosenkavalier (Il cavaliere della rosa), Strauss
De Nationale OperaAnnina
Visualizza cast e team creativoVU-Orchestra plays Mahler's Symphony No. 2, Mahler
Het ConcertgebouwMezzo-soprano
Visualizza cast e team creativoKönigskinder (I Figli del re), Humperdinck
De Nationale OperaDie Stallmagd
Visualizza cast e team creativoA Midsummer Night's Dream (Sogno di una notte di mezza estate), Britten
Opera ZuidHyppolyta (Hippolyta)
Visualizza cast e team creativoDie Frau ohne Schatten (La donna senz'ombra), Strauss
Eine Stimme von oben (Una voce dall'alto)
Visualizza cast e team creativoSpettacoli passati in primo piano
Guillaume Tell (Guglielmo Tell), Rossini
NOF - Nouvel Opéra Fribourg - Neue Oper FreiburgHedwige (Edwige)
Visualizza cast e team creativo-
Der Rosenkavalier (Il cavaliere della rosa), Strauss
De Nationale OperaAnnina
Visualizza cast e team creativo
Königskinder (I Figli del re), Humperdinck
De Nationale OperaDie Stallmagd
Visualizza cast e team creativo
A Midsummer Night's Dream (Sogno di una notte di mezza estate), Britten
Opera ZuidHyppolyta (Hippolyta)
Visualizza cast e team creativo
Elektra (Elettra), Strauss
Palau de les Arts Reina SofiaErste Magd (1. ancella)
Visualizza cast e team creativoProssimi spettacoli
24Il Trittico, Puccini
De Nationale OperaLa Maestra delle Novizie
Visualizza programma, cast e troupe
Biografia
Praised for her special ‘ability to express the moods hidden in the music – from sadness to exuberance’, mezzosoprano/contralto Eva Kroon in recent years has come to the forefront of the Dutch music scene as a singer of choice for roles for the lower female voice, steering, for instance, the third act of Offenbach’s Les contes d’Hoffmann ‘to a seldom heard highlight’ (Theaterkrant). Eva Kroon studied both piano and voice at the conservatories of Utrecht and The Hague, and gained her master in Opera Singing at Dutch National Opera Academy. Early roles include Second Lady (The Magic Flute), Gluck’s Orfeo and Purcell’s Dido. She followed workshops in Berlin and at Dutch National Opera (French repertoire, with Jean-Philippe Lafont and Leontina Vaduva). From 2012-2017 she was coached by Abbie F
