FRANCO VASSALLO "Vieni la mia vendetta" Lucrezia Borgia, G.Donizetti, Bavarian State Oper Munich
Franco Vassallo
Baritone
Būsimi pasirodymai Šiandien Pirmyn
Ankstesni pasirodymai 1994 – vakar
Un ballo in maschera (A Masked Ball), Verdi
Palau de les Arts Reina SofiaRenato / Count Anckarström (Renato)
Peržiūrėti atlikėjus ir komandąTieni il tempo!, MozartRossiniVerdiMassenet
Orchestra Filarmonica di TorinoBaritone
Peržiūrėkite programą, aktorius ir įguląLa Traviata (La traviata), Verdi
Teatro Massimo BelliniGiorgio Germont (George Germont)
Peržiūrėti atlikėjus ir komandą-
Un ballo in maschera (A Masked Ball), Verdi
Palau de les Arts Reina SofiaRenato / Count Anckarström (Renato)
Peržiūrėti atlikėjus ir komandąTieni il tempo!, MozartRossiniVerdiMassenet
Orchestra Filarmonica di TorinoBaritone
Peržiūrėkite programą, aktorius ir įguląLa Traviata (La traviata), Verdi
Teatro Massimo BelliniGiorgio Germont (George Germont)
Peržiūrėti atlikėjus ir komandą-
Un ballo in maschera (A Masked Ball), Verdi
Palau de les Arts Reina SofiaRenato / Count Anckarström (Renato)
Peržiūrėti atlikėjus ir komandąIl trittico, Puccini
Teatro Comunale di BolognaMichele
Peržiūrėkite programą, aktorius ir įguląLa Gioconda, Ponchielli
Barnaba
Peržiūrėti atlikėjus ir komandąOtello (Othello), Verdi
Teatro Massimo BelliniJago (Iago)
Peržiūrėti atlikėjus ir komandąFranco Vassallo is a native of Milan where at a very early age he discovered his great enthusiasm for Opera and Classical music. His unusual singing talent was spotted by a teacher at school who heard him singing in the corridors. The teacher was able to introduce him to his father, the baritone Carlo Meliciani , who had studied singing with the great Carlo Tagliabue and who then became Vassallo’s teacher. Meliciani encouraged him to attend the Civic School of Music in Milan (which is nowadays dedicated to the memory of Claudio Abbado). Vassallo understood that a developed artist must have broad interests, so later he devoted himself to the study of Literature and Philosophy at the State University of Milan. He was also aware of how very important is the dramatic structure of Opera an