Biography
Gianluca Martinenghi studied piano with Piero Rattalino and composition with Bruno Bettinelli. He began studying conducting with Donato Renzetti and Giacomo Zani, collaborating for the direction of youth orchestras. He also began to develop his career as a musicologist, writing essays specifically about the piano for magazines such as Musica, Symphonia and Piano Time. At the same time he embarked on a career in the theatre, beginning at Teatro Regio di Torino where he worked as head of music, which enabled him to familiarise himself with the operatic repertory, assisting highly respected musicians such as Gianandrea Gavazzeni and Yuri Ahronovitch. Then for several years he worked at Teatro Massimo di Palermo, holding senior positions from 1997 onwards in the realm of artistic direction a
Performance credits
Upcoming performances Today Onwards
Past performances 2001 — Yesterday
Il libro della Giungla (The Jungle Book), Sollima
I Teatri di Reggio EmiliaConductor
View cast and crewGala Lirico in Onore di Mario del Monaco, Various
Teatro Mario del Monaco TrevisoConductor
View cast and crewIl barbiere di Siviglia (The Barber of Seville), Rossini
Semaine Italienne de MontrealConductor
View cast and crewLa Traviata (La traviata), Verdi
Opera and Ballet of Slovene National Theatre MariborConductor
View cast and crew-
Upcoming performances
24Tosca, Puccini
Opera and Ballet of Slovene National Theatre MariborConductor
View cast and crewMadama Butterfly (Madame Butterfly), Puccini
Teatro Lirico di CagliariConductor
View cast and crewFeatured performance videos
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Biography
Gianluca Martinenghi studied piano with Piero Rattalino and composition with Bruno Bettinelli. He began studying conducting with Donato Renzetti and Giacomo Zani, collaborating for the direction of youth orchestras. He also began to develop his career as a musicologist, writing essays specifically about the piano for magazines such as Musica, Symphonia and Piano Time. At the same time he embarked on a career in the theatre, beginning at Teatro Regio di Torino where he worked as head of music, which enabled him to familiarise himself with the operatic repertory, assisting highly respected musicians such as Gianandrea Gavazzeni and Yuri Ahronovitch. Then for several years he worked at Teatro Massimo di Palermo, holding senior positions from 1997 onwards in the realm of artistic direction a
