Frammistaða áskriftir
Fyrri sýningar 2009 — Í gær
Don Pasquale, Donizetti
New National Theatre TokyoDottor Malatesta (Doctor Malatesta)
Skoða leikara og mannskapTokyo Philharmonic Orchestra Beethoven No. 9 Symphony Special Concert, Beethoven
Tokyo City Philharmonic OrchestraBariton
Skoða dagskrá, leikarahóp og mannskapRed Team & White Team Opera Singing “battle” Concert The 8th — The Battle Of Vocal Soul —, Various
Suntory HallBaritone
Skoða leikara og mannskap752nd Tokyo Subscription Concerts, Leoncavallo
Japan Philharmonic OrchestraTonio
Skoða leikara og mannskapAndrea Chénier (Andrea Chenier), Giordano
Mikawa OperaCarlo Gérard (Carlo Gerard)
Skoða leikara og mannskapBeethoven's No.9 Symphony Special Concert, Beethoven
Tokyo City Philharmonic OrchestraBariton
Skoða dagskrá, leikarahóp og mannskapSýndar fyrri sýningar
Don Pasquale, Donizetti
New National Theatre TokyoDottor Malatesta (Doctor Malatesta)
Skoða leikara og mannskap
752nd Tokyo Subscription Concerts, Leoncavallo
Japan Philharmonic OrchestraTonio
Skoða leikara og mannskap
Andrea Chénier (Andrea Chenier), Giordano
Mikawa OperaCarlo Gérard (Carlo Gerard)
Skoða leikara og mannskap
Beethoven's No.9 Symphony Special Concert, Beethoven
Tokyo City Philharmonic OrchestraBariton
Skoða dagskrá, leikarahóp og mannskap
Beethoven's No.9 Symphony Special Concert, Beethoven
Tokyo City Philharmonic OrchestraBariton
Skoða dagskrá, leikarahóp og mannskap
Æviágrip
Hayato Kamie graduated from Tokyo National University of Fine Arts and Music with honors. In 2011, he made his Italian debut at the Teatro Giuseppe Verdi (Busseto) as Count di Luna in "Il Trovatore" at the Verdi Festival, and in 2015, he became the first Japanese baritone to be selected for the title role in "Rigoletto" at the same festival. In Japan, he has appeared as a primo baritone in Nabucco, Rigoletto, Don Carlo, Pagliacci, Il Trovatore, and Il Trittico at the Tokyo Nikikai Opera Theatre, La Traviata and Rigoletto at the Fujiwara Opera, The Barber of Seville at the Nissay Theatre, Aida at the New National Theatre, and Aida at the Sapporo Art Theatre, all to great acclaim. In particular, his performance of Rigoletto at the Tokyo Nikikai Opera in 2015 was praised by various critics as
