Biography
Aszodi's career could best be described as genre-bounding and label-defying. The Australian-born vocalist has premiered dozens of new pieces, performed long neglected works, devised pieces, projects and festivals, sung roles from musicals and the standard operatic repertoire, while collaborating with a constellation of artists from the far reaches of the cultural spectrum. Praised for its “utmost security and power” (Chicago Tribune), Jessica’s voice has an unusual range, both in terms of colour and pitch, making it possible to perform repertoire across genres (from experimental to baroque, music theatre to opera) and voice types, from contralto works such as Boulez' Le Marteau sans maître to soprano gems like Grisey's Quatre chants pour franchir le seuil. Jessica has performed as solois
Performance credits
Past performances 2008 — Yesterday
Featured past performances
Biography
Aszodi's career could best be described as genre-bounding and label-defying. The Australian-born vocalist has premiered dozens of new pieces, performed long neglected works, devised pieces, projects and festivals, sung roles from musicals and the standard operatic repertoire, while collaborating with a constellation of artists from the far reaches of the cultural spectrum. Praised for its “utmost security and power” (Chicago Tribune), Jessica’s voice has an unusual range, both in terms of colour and pitch, making it possible to perform repertoire across genres (from experimental to baroque, music theatre to opera) and voice types, from contralto works such as Boulez' Le Marteau sans maître to soprano gems like Grisey's Quatre chants pour franchir le seuil. Jessica has performed as solois
