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Jonathan Michie’s booming baritone was deployed with subtlety and he played the jealous and hypocritical nobleman to the hilt. At the conclusion as Mozart’s music reaches the sublime with “Contessa perdono,” the Count’s plea for forgiveness, Michie was fully up to the task.
Jonathan Michies Papageno steht Tamino mit Komik, Unbekümmertheit und einem herrlich breiten Bariton zur Seite. (Jonathan Michie's Papageno supports Tamino with humor, carefreeness and a wonderfully broad baritone.)