Forestillingkreditter
Kommende forestillinger I dag og utover
Tidligere forestillinger 1999 – I går
Król Roger (King Roger), Szymanowski
Anhaltisches Theater DessauKról Roger (King Roger)
Se rollebesetning og crew-
Madama Butterfly (Madame Butterfly), Puccini
Anhaltisches Theater DessauSharpless
Se rollebesetning og crew-
Madama Butterfly (Madame Butterfly), Puccini
Anhaltisches Theater DessauSharpless
Se rollebesetning og crewDer König Kandaules (The King Kandaules), Von Zemlinsky
Anhaltisches Theater DessauGyges
Se rollebesetning og crewUtvalgte tidligere forestillinger
Król Roger (King Roger), Szymanowski
Anhaltisches Theater DessauKról Roger (King Roger)
Se rollebesetning og crew
-
Madama Butterfly (Madame Butterfly), Puccini
Anhaltisches Theater DessauSharpless
Se rollebesetning og crew-
Madama Butterfly (Madame Butterfly), Puccini
Anhaltisches Theater DessauSharpless
Se rollebesetning og crewKommende forestillinger
34Don Giovanni, Mozart
Anhaltisches Theater DessauDon Giovanni
Se rollebesetning og crewTristan und Isolde (Tristan and Isolde), Wagner, Richard
Anhaltisches Theater DessauKurwenal
Se rollebesetning og crewDon Giovanni, Mozart
Anhaltisches Theater DessauDon Giovanni
Se rollebesetning og crewfr.19:30
Dessau, GermanyOperngala, LeoncavalloRimsky-KorsakovLortzingWagner, RichardBeethovenGounodBizetRossini
Anhaltisches Theater DessauSoloists
Se program, rollebesetning og crewDas Rheingold (The Rhinegold), Wagner, Richard
Oper LeipzigAlberich
Se rollebesetning og crew
Biografi
Kay Stiefermann graduated summa cum laude from the Cologne University of Music in the class of KS Kurt Moll. Master classes with Monserat Caballe and Hans Hotter, among others, completed his training. Kay Stiefermann’s first engagement was at the Hamburg State Opera from 1997. His repertoire includes roles such as Don Giovanni, Guglielmo and Don Alfonso (“Così fan tutte”), Conte Almaviva (“Le nozze di Figaro”), Onegin (“Eugene Onegine”), Danilo (“The Merry Widow”), Eisenstein ( “Die Fledermaus”), or Marcello (“La Bohème”). In recent years the baritone has sung more and more roles from the German subject, such as the Dutchman, Amfortas and Klingsor (“Parsifal”), Kurwenal (“Tristan und Isolde”), Simone (“Florentine tragedy”), Gyges (“King Kandaules “), Johanaan (” Salome “), Mandryka (” Ara
