Nadcházející představení Dnes dále
Minulá představení 1994 – včera
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Bayerische StaatsoperFilippyevna
Zobrazit obsazení a štábYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
San Carlo Opera FestivalFilippyevna
Zobrazit obsazení a štábYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Filippyevna
Zobrazit program, obsazení a štábPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Gran Teatre del LiceuGrafinya (Countess)
Zobrazit obsazení a štábYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Wiener StaatsoperFilippyevna
Zobrazit obsazení a štábYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Wiener StaatsoperFilippyevna
Zobrazit obsazení a štábYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Bayerische StaatsoperFilippyevna
Zobrazit obsazení a štábYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
San Carlo Opera FestivalFilippyevna
Zobrazit obsazení a štábYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Filippyevna
Zobrazit program, obsazení a štábPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Gran Teatre del LiceuGrafinya (Countess)
Zobrazit obsazení a štábYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Wiener StaatsoperFilippyevna
Zobrazit obsazení a štábDie Passagierin (The Passenger), Weinberg
Bavarian State OperaBronka
Zobrazit obsazení a štábDie Passagierin (The Passenger), Weinberg
Bavarian State OperaBronka
Zobrazit obsazení a štábLARISSA DIADKOVA Mezzo soprano Larissa Diadkova is a principal artist of the Mariinsky Theatre, where she has enjoyed a longstanding artistic relationship with the company’s music director, Valery Gergiev. She is a graduate of the Leningrad Conservatory where she studied with Professor Iraida Levando. She made her professional debut in Europe in 1991 as Liubov in Tchaikovsky’s Mazeppa at the Bregenz Festival. In addition to the Russian musical literature, Larissa’s name has become synonymous with the repertoire of Bach, Handel, Mahler, Wagner and, in particular, Verdi. It was as Ulrica in Verdi’s Un ballo in maschera at the Maggio Musicale Fiorentino that she was established as a major international artist in this repertoire. She was invited back to the Maggio to sing Amneris Aida and too