Forestillingkreditter
Kommende forestillinger I dag og utover
Tidligere forestillinger 1994 – I går
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Bayerische StaatsoperFilippyevna
Se rollebesetning og crewYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
San Carlo Opera FestivalFilippyevna
Se rollebesetning og crewYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Filippyevna
Se program, rollebesetning og crewPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Gran Teatre del LiceuGrafinya (Countess)
Se rollebesetning og crewYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Wiener StaatsoperFilippyevna
Se rollebesetning og crewYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Wiener StaatsoperFilippyevna
Se rollebesetning og crewUtvalgte tidligere forestillinger
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Bayerische StaatsoperFilippyevna
Se rollebesetning og crew
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
San Carlo Opera FestivalFilippyevna
Se rollebesetning og crew
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Filippyevna
Se program, rollebesetning og crew
Pikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Gran Teatre del LiceuGrafinya (Countess)
Se rollebesetning og crew
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Wiener StaatsoperFilippyevna
Se rollebesetning og crewKommende forestillinger
7Die Passagierin (The Passenger), Weinberg
Bavarian State OperaBronka
Se rollebesetning og crewDie Passagierin (The Passenger), Weinberg
Bavarian State OperaBronka
Se rollebesetning og crew
Biografi
LARISSA DIADKOVA Mezzo soprano Larissa Diadkova is a principal artist of the Mariinsky Theatre, where she has enjoyed a longstanding artistic relationship with the company’s music director, Valery Gergiev. She is a graduate of the Leningrad Conservatory where she studied with Professor Iraida Levando. She made her professional debut in Europe in 1991 as Liubov in Tchaikovsky’s Mazeppa at the Bregenz Festival. In addition to the Russian musical literature, Larissa’s name has become synonymous with the repertoire of Bach, Handel, Mahler, Wagner and, in particular, Verdi. It was as Ulrica in Verdi’s Un ballo in maschera at the Maggio Musicale Fiorentino that she was established as a major international artist in this repertoire. She was invited back to the Maggio to sing Amneris Aida and too
