Izrādes kredīti
Gaidāmās izrādes Šodien Uz priekšu
Iepriekšējās izrādes 1996 — vakar
Marc Albrecht Stefan Dohr, Strauss
Oslo PhilharmonicConductor
Skatīt programmu, dalībniekus un komanduDon Quixote, Strauss
The Calouste Gulbenkian FoundationConductor
Skatīt programmu, dalībniekus un komanduBeethoven Strauss, BeethovenStrauss
Opernhaus ZürichConductor
Skatīt programmu, dalībniekus un komanduPiedāvātās iepriekšējās izrādes
Marc Albrecht Stefan Dohr, Strauss
Oslo PhilharmonicConductor
Skatīt programmu, dalībniekus un komandu
Don Quixote, Strauss
The Calouste Gulbenkian FoundationConductor
Skatīt programmu, dalībniekus un komandu
Gaidāmās izrādes
37Konzerthausorchester Berlin, Marc Albrecht, JostStrauss
Konzerthaus BerlinConductor
Skatīt programmu, dalībniekus un komanduWiebke Lehmkuhl, contralto · Orquesta de Valencia, ChinMahlerBrahms
Palau de la MúsicaConductor
Skatīt programmu, dalībniekus un komanduBruckner Focus Concerts: 200th birth anniversary, BrucknerBruch
Armenian National Philharmonic OrchestraConductor
Skatīt programmu, dalībniekus un komanduClubconcert Met Soe Nsuki, StraussBerg
Antwerp Symphony OrchestraConductor
Skatīt programmu, dalībniekus un komanduStrauss’ ‘Also Sprach Zarathustra’, StraussBerg
Antwerp Symphony OrchestraConductor
Skatīt programmu, dalībniekus un komanduDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
New National Theatre TokyoConductor
Skatīt dalībniekus un komanduDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Dutch National Opera & BalletConductor
Skatīt dalībniekus un komanduWritten on Skin, Benjamin
Deutsche Oper BerlinConductor
Skatīt dalībniekus un komanduSv19:30
Berlin, GermanyDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Dutch National Opera & BalletConductor
Skatīt dalībniekus un komanduWritten on Skin, Benjamin
Deutsche Oper BerlinConductor
Skatīt dalībniekus un komandu
Biogrāfija
Marc Albrecht is one of the most exciting conductors on the opera and concert scene today. He is in demand internationally as a conductor of the German-Austrian late Romantic repertoire from Wagner and Strauss to Zemlinsky, Schreker and Korngold, and also cultivates with conviction the entire spectrum from Mozart to contemporary music. Albrecht’s work with the orchestra is rooted in a chamber music approach; he loves and knows how to utilise the infinite sound possibilities of the large symphony orchestra, whilst simultaneously always allowing the sound to blend with the intimacy of the chamber orchestra. Even in the densely orchestrated symphonies of Bruckner and Mahler, Albrecht succeeds in an astonishing way in making the structure clear and letting the music breathe. With Marc Albrech
