Marc Albrecht is one of the most exciting conductors on the opera and concert scene today. He is in demand internationally as a conductor of the German-Austrian late Romantic repertoire from Wagner and Strauss to Zemlinsky, Schreker and Korngold, and also cultivates with conviction the entire spectrum from Mozart to contemporary music. Albrecht’s work with the orchestra is rooted in a chamber music approach; he loves and knows how to utilise the infinite sound possibilities of the large symphony orchestra, whilst simultaneously always allowing the sound to blend with the intimacy of the chamber orchestra. Even in the densely orchestrated symphonies of Bruckner and Mahler, Albrecht succeeds in an astonishing way in making the structure clear and letting the music breathe. With Marc Albrech
Upcoming performances Today Onwards
Past performances 1996 — Yesterday
Konzerthausorchester Berlin, Marc Albrecht, JostStrauss
Konzerthaus BerlinConductor
View program, cast and crewWiebke Lehmkuhl, contralto · Orquesta de Valencia, ChinMahlerBrahms
Palau de la MúsicaConductor
View program, cast and crewMarc Albrecht, Jörgen Van Rijen & NSO, Pei-Cheng ChuTakemitsuPärtFranck
National Symphony Orchestra TaiwanConductor
View program, cast and crewBruckner Focus Concerts: 200th birth anniversary, BrucknerBruch
Armenian National Philharmonic OrchestraConductor
View program, cast and crewClubconcert Met Soe Nsuki, StraussBerg
Antwerp Symphony OrchestraConductor
View program, cast and crewStrauss’ ‘Also Sprach Zarathustra’, StraussBerg
Antwerp Symphony OrchestraConductor
View program, cast and crewDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
New National Theatre TokyoConductor
View cast and crewMarc Albrecht is one of the most exciting conductors on the opera and concert scene today. He is in demand internationally as a conductor of the German-Austrian late Romantic repertoire from Wagner and Strauss to Zemlinsky, Schreker and Korngold, and also cultivates with conviction the entire spectrum from Mozart to contemporary music. Albrecht’s work with the orchestra is rooted in a chamber music approach; he loves and knows how to utilise the infinite sound possibilities of the large symphony orchestra, whilst simultaneously always allowing the sound to blend with the intimacy of the chamber orchestra. Even in the densely orchestrated symphonies of Bruckner and Mahler, Albrecht succeeds in an astonishing way in making the structure clear and letting the music breathe. With Marc Albrech