Forestillingkreditter
Tidligere forestillinger 2006 – I går
Der Rosenkavalier (The Knight of the Rose), Strauss
Biwako HallDie Feldmarschallin Fürstin Werdenberg (The Marschallin)
Se rollebesetning og crewOpera Conductor Tetsuro Ban Invites "Concert Opera Series" Vol.2 ~ Yamagin Kenmin Hall Series Vol.3 ~, Verdi
Yamagata Symphony OrchestraVioletta Valéry (Violetta Valery)
Se rollebesetning og crewYokohama Matinée Series No. 131, Beethoven
Yomiuri Nippon Symphony OrchestraSoprano
Se rollebesetning og crewLe nozze di Figaro (The Marriage of Figaro), Mozart
Biwako HallLa Contessa di Almaviva (The Countess of Almaviva)
Se rollebesetning og crewCanti di prigionia (Songs of Imprisonment), Dallapiccola
Wiener FestwochenSoprano
Se rollebesetning og crewUtvalgte tidligere forestillinger
Opera Conductor Tetsuro Ban Invites "Concert Opera Series" Vol.2 ~ Yamagin Kenmin Hall Series Vol.3 ~, Verdi
Yamagata Symphony OrchestraVioletta Valéry (Violetta Valery)
Se rollebesetning og crew
Yokohama Matinée Series No. 131, Beethoven
Yomiuri Nippon Symphony OrchestraSoprano
Se rollebesetning og crew
Le nozze di Figaro (The Marriage of Figaro), Mozart
Biwako HallLa Contessa di Almaviva (The Countess of Almaviva)
Se rollebesetning og crew
Canti di prigionia (Songs of Imprisonment), Dallapiccola
Wiener FestwochenSoprano
Se rollebesetning og crew
Biografi
‘An extraordinarily beautiful voice,’ Königin der Nacht: Der neue Merker. ‘Her voice had beauty and clarity,’ Violetta Valéry: Bachtrack. ‘Apparently effortless singing … World class!’, Carmina Burana: Der neue Merker. Multi-award-winning singer Mari Moriya is one of today’s leading sopranos in Europe as well as Asia and the US. Her “beautiful voice … and clean and precise coloraturas” (Der neue Merker) are but two of her notable assets in the dramatic coloratura as well as lirico-spinto repertoire, which encompasses bel canto heroines Norma and Maria Stuarda as well as Puccini’s Butterfly. In previous seasons, Mari Moriya made important role debuts as Marschallin in Der Rosenkavalier under the baton of Sebastian Weigle and direction of Richard Jones, and Cio-Cio San in Madama Butterfl
