Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 1991 — Ilbieraħ
Dialogues des Carmélites (Dialogues of the Carmelites), Poulenc
Orchestre National d'Île de FranceMadame de Croissy
Ara l-cast u l-ekwipaġġPelléas et Mélisande (Pelléas and Mélisande), Debussy
Opéra de LilleGeneviève (Genevieve)
Ara l-cast u l-ekwipaġġDialogues des Carmélites (Dialogues of the Carmelites), Poulenc
Staatsoper HannoverMadame de Croissy
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
Dialogues des Carmélites (Dialogues of the Carmelites), Poulenc
Orchestre National d'Île de FranceMadame de Croissy
Ara l-cast u l-ekwipaġġ
Pelléas et Mélisande (Pelléas and Mélisande), Debussy
Opéra de LilleGeneviève (Genevieve)
Ara l-cast u l-ekwipaġġPrestazzjonijiet li ġejjin
5Adriana Lecouvreur, Cilea
Opéra national du CapitoleMadamigella Dangeville (Miss Dangeville)
Ara l-cast u l-ekwipaġġIntro showreel
2
Dialogues des Carmelites
Bijografija
Born in Montpellier, Marie-Ange Todorovitch studied first piano and then singing at the Conservatoire National Supérieur de Musique de Paris and at the Ecole de l'Opéra de Paris. Winner of several prizes, she was the interpreter of the main roles Eurydice, Diane, Cherubino and Djamileh, subsequently appearing at Glyndebourne as Dorabella and Cherubino, and as Pauline in The Queen of Spades. Her repertoire ranges from Rossini, Mozart and R. Strauss to French opera, and she has appeared in major opera houses and festivals throughout France and Europe in a series of major roles, including that of Marguerite in La Damnation de Faust in Geneva opposite José Van Dam, a part she has undertaken elsewhere. Her world premieres include the title role of Clara in the opera of that name by Hans Cefors
