Kommende forestillinger I dag og frem
Tidligere forestillinger 2009 – i går
Die lustige Witwe (The Merry Widow), Lehár
Opera Nationala Romana TimisoaraStage director
Se rollebesætning og besætningTurandot, Puccini
Opera Nationala Romana TimisoaraSet designer + 1 roller
Se rollebesætning og besætningAdriana Lecouvreur, Cilea
Opera Nationala Romana TimisoaraStage director + 2 roller
Se rollebesætning og besætningTurandot, Puccini
Opera Nationala Romana TimisoaraCostume designer + 1 roller
Se rollebesætning og besætningDon Carlo (Italian version), Verdi
Opera Națională BucureștiStage director + 3 roller
Se rollebesætning og besætningIl trovatore (The Troubadour), Verdi
Opera Națională BucureștiStage director + 3 roller
Se rollebesætning og besætningTurandot, Puccini
Opera Nationala Romana TimisoaraSet designer + 1 roller
Se rollebesætning og besætningAdriana Lecouvreur, Cilea
Opera Nationala Romana TimisoaraStage director + 2 roller
Se rollebesætning og besætningTurandot, Puccini
Opera Nationala Romana TimisoaraCostume designer + 1 roller
Se rollebesætning og besætningDon Carlo (Italian version), Verdi
Opera Națională BucureștiStage director + 3 roller
Se rollebesætning og besætningIl trovatore (The Troubadour), Verdi
Opera Națională BucureștiStage director + 3 roller
Se rollebesætning og besætningDon Carlo (Italian version), Verdi
Bucharest National OperaStage director + 3 roller
Se rollebesætning og besætningTosca, Puccini
Bucharest National OperaStage director + 3 roller
Se rollebesætning og besætningDe Carlo chose to study at a Liceo Classico (secondary school), specialising in Greek and Latin studies and from an early age also studied pianoforte. During Liceo, he directed, set designed and designed the costumes for student productions of Sophocles’ Electra and Mozart’s The Magic Flute. To begin his University career, De Carlo moved to Rome, where he studied Italian Language and Literature, History of the Theatre and Music with Fedele D’Amico at ‘La Sapienza’ University.Subsequently, De Carlo transferred to Milan where he gained valuable and varied experience working in the studios of such well known set-builders and costume makers as Sormani and Brancato. As a set and costume designer assistant for the opera, De Carlo worked with such illustrious houses as The Fenice, Venice (Donizet