Izrādes kredīti
Gaidāmās izrādes Šodien Uz priekšu
Iepriekšējās izrādes 2006 — vakar
Charpentier: Médée / Magdalena Kožená / Sir Simon Rattle, Charpentier, M.
Elbphilharmonie & Laeiszhalle HamburgNérine
Skatīt dalībniekus un komanduSamson et Dalila, op. 47 (Samson and Delilah), Saint-Saëns
South Bohemian TheatreDalila (Delilah)
Skatīt dalībniekus un komandu-
Mefistofele (Mephistopheles), Boito
South Bohemian TheatreMarta + 1 lomas
Skatīt dalībniekus un komanduPiedāvātās iepriekšējās izrādes
Charpentier: Médée / Magdalena Kožená / Sir Simon Rattle, Charpentier, M.
Elbphilharmonie & Laeiszhalle HamburgNérine
Skatīt dalībniekus un komandu
Samson et Dalila, op. 47 (Samson and Delilah), Saint-Saëns
South Bohemian TheatreDalila (Delilah)
Skatīt dalībniekus un komandu-
Mefistofele (Mephistopheles), Boito
South Bohemian TheatreMarta + 1 lomas
Skatīt dalībniekus un komanduGaidāmās izrādes
9Kourou – Towards Paradise, Goldsmith, J.Gossec, F.HinnerTremaisJarnović, Ivan ManeAdolphe BlaiseOrtiz, D.Grétry
National Forum of MusicMezzo-Soprano
Skatīt programmu, dalībniekus un komanduNabucco, Verdi
National Theatre PragueFenena
Skatīt dalībniekus un komanduIl barbiere di Siviglia (The Barber of Seville), Rossini
South Bohemian TheatreRosina
Skatīt dalībniekus un komanduThe Plays of Mary (Miracle of Our Lady), Martinů
ND BrnoBridegroom + 4 lomas
Skatīt dalībniekus un komanduO19:00
Brno, Czech RepublicVánoční Oratorium Pro UNICEF, Sommer, LukášSaint-SaënsJongen, J.
Prague Symphony OrchestraAlto
Skatīt programmu, dalībniekus un komanduT19:30
Prague, Czech RepublicIevadvideo
3
OpusOsm Markéta Cukrová.avi
Biogrāfija
Mezzosoprano Markéta Cukrová belongs to the most sought-for Czech soloists in the field of historically informed and modern music. Her name is to be frequently found in the programs of Baroque oratorio and opera, chamber music and lieder recitals, as well as those of living composers. Since 1992 she has been taking part in Early Music projects throughout Europe both as a soloist and a member of numerous ensembles. Her performing abilities range from Medieval (Mala Punica, Club Mediéval) to Baroque (Les Muffatti, Collegium Marianum, Collegium 1704, Czech Ensemble Baroque, Musica Florea, Ensemble Inégal, Arte dei Suonatori) and Classic period (lieder recitals accompanied by hammerklavier). She regularly appears at the most distinguished festivals of differing genres (Prague Spring Festiv
