Næstu sýningar Í dag áfram
Fyrri sýningar 1996 — Í gær
Mahler's Symphony No. 3 with Peter Oundjian, Mahler
Colorado SymphonyContralto
Skoða leikara og mannskapDuke Bluebeard’s Castle, ScriabinBartók
San Francisco SymphonyMezzo-soprano + 1 hlutverk
Skoða dagskrá, leikarahóp og mannskapHerzog Blaubarts Burg & Bartók-Klavierkonzert, Bartók
NDR Elbphilharmonie OrchesterJudit (Judith)
Skoða dagskrá, leikarahóp og mannskapNDR Elbphilharmonie Orchestra / Igor Levit / Alan Gilbert, Bartók
Elbphilharmonie & Laeiszhalle HamburgSoloist
Skoða dagskrá, leikarahóp og mannskapConcert de clôture: Rafael Payare et la troisième de Mahler, Mahler
Montreal Symphony OrchestraContralto
Skoða leikara og mannskapMahler's Symphony No. 3 with Peter Oundjian, Mahler
Colorado SymphonyContralto
Skoða leikara og mannskapDuke Bluebeard’s Castle, ScriabinBartók
San Francisco SymphonyMezzo-soprano + 1 hlutverk
Skoða dagskrá, leikarahóp og mannskapHerzog Blaubarts Burg & Bartók-Klavierkonzert, Bartók
NDR Elbphilharmonie OrchesterJudit (Judith)
Skoða dagskrá, leikarahóp og mannskapNDR Elbphilharmonie Orchestra / Igor Levit / Alan Gilbert, Bartók
Elbphilharmonie & Laeiszhalle HamburgSoloist
Skoða dagskrá, leikarahóp og mannskapConcert de clôture: Rafael Payare et la troisième de Mahler, Mahler
Montreal Symphony OrchestraContralto
Skoða leikara og mannskapPintscher + Debussy + Deyoung, DebussyBerliozFauréRavel
Wallis Annenberg Center for the Performing ArtsVoice
Skoða dagskrá, leikarahóp og mannskapThe Met Orchestra Chamber Ensemble, AdèsMahler
Carnegie HallSoloist
Skoða dagskrá, leikarahóp og mannskapSalome, Strauss
The Metropolitan OperaHerodias
Skoða leikara og mannskapMichelle DeYoung is one of the world’s most exciting mezzo-sopranos. Her prolific concert engagements include the New York Philharmonic and London Symphony orchestras under Sir Colin Davis (with whom she recorded Didon in Les Troyens to great critical acclaim), the San Francisco Symphony under Tilson Thomas, the Boston Symphony under Ozawa, the Chicago Symphony and Philharmonia under Boulez, the Cleveland Orchestra under Slatkin, the Royal Concertgebouw under Chailly, the Berlin Staatskappelle under Barenboim and Boulez, the Israel Philharmonic under Maazel and the City of Birmingham Symphony Orchestra under Gardner. She has given recitals in New York, San Francisco, Lisbon, Paris, London’s Wigmore Hall and the Edinburgh Festival. Her operatic engagements have included Jocasta with von D