Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2006 — Ilbieraħ
Lady Macbeth of Mtsensk, Op. 29, Shostakovich
Greek National OperaCostume designer
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
Lady Macbeth of Mtsensk, Op. 29, Shostakovich
Greek National OperaCostume designer
Ara l-cast u l-ekwipaġġ
Prestazzjonijiet li ġejjin
17Don Carlo, Verdi
Latvian National Opera and BalletCostume designer
Ara l-cast u l-ekwipaġġDie Zauberflöte (The Magic Flute), Mozart
Opéra National de ParisCostume designer
Ara l-cast u l-ekwipaġġSib19:30
Paris, FranceTli19:30
Paris, FranceĦam19:30
Paris, FranceSib19:30
Paris, FranceTli19:30
Paris, France
Bijografija
Real art in costume design comes with the designer’s intent to transport narration within the garments. Any single costume in a play or on screen, traditional or avant-garde, tells a story, talks about the development and the fate of a narrated character. Petra Reinhardt has always been successful in this regard; hand in hand with the director and all the others of the team, she makes everyone she dresses talk – talk to the other roles, talk to the spectator- creating an ensemble of art enhanced by the costumes.
