Næstu sýningar Í dag áfram
Fyrri sýningar 2014 — Í gær
Passione Secondo Giovanni, Bach, J. S.
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor
Skoða leikara og mannskapEl Greco Opera in three acts, Hatzinasios
Megaron Athens Concert HallIcarus + 1 hlutverk
Skoða leikara og mannskapMessiah (Messiah HWV 56), Händel
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor
Skoða leikara og mannskapL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Festival d'Aix en ProvenceNerone (Nero)
Skoða leikara og mannskapOpera Open 2023: the Mercy of Titus - Mozart, Mozart
State Opera PlovdivSesto
Skoða leikara og mannskapPassione Secondo Giovanni, Bach, J. S.
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor
Skoða leikara og mannskapEl Greco Opera in three acts, Hatzinasios
Megaron Athens Concert HallIcarus + 1 hlutverk
Skoða leikara og mannskapMessiah (Messiah HWV 56), Händel
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor
Skoða leikara og mannskapL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Festival d'Aix en ProvenceNerone (Nero)
Skoða leikara og mannskapGiulio Cesare in Egitto (Julius Caesar in Egypt), Händel
GlyndebourneNireno
Skoða leikara og mannskapsun15:00
Lewes, United Kingdomþri16:00
Lewes, United Kingdomfös16:00
Lewes, United Kingdomþri16:00
Lewes, United Kingdomfös16:00
Lewes, United Kingdomfös16:00
Lewes, United KingdomAmerican countertenor Ray Chenez is redefining his fach with a voice that possesses a rare combination of beauty, power and flexibility. He has the capacity to sing an unusual range of repertoire for a countertenor and captivates audiences with his embodiment of male and female roles. Opera News magazine called him one of the up-and-coming opera stars of the next generation, writing, "Ray Chenez's countertenor is bold and assertive, but also warm and luxurious. He has a natural electric presence, and his diction is precise no matter how high he sings." A 2014 George London Award winner, he has been called "luxury casting" by The New York Times, "excellent connection to the text, superb vocal control and impeccable diction" by Opera News, and a "dramatic soprano voice oozing with potent