Pauline Viardot's "Canzoni popolari toscane"
Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 1998 — Ilbieraħ
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Die Zauberflöte (The Magic Flute), Mozart
Theater St GallenMonostatos (Monostastos)
Ara l-cast u l-ekwipaġġ-
Die Fledermaus (The Bat), Strauss II
Theater St GallenDr Blind (Doctor Blind)
Ara l-cast u l-ekwipaġġ-
Dehru wirjiet tal-passat
Die Zauberflöte (The Magic Flute), Mozart
Theater St GallenMonostatos (Monostastos)
Ara l-cast u l-ekwipaġġ-
Die Fledermaus (The Bat), Strauss II
Theater St GallenDr Blind (Doctor Blind)
Ara l-cast u l-ekwipaġġ-
Prestazzjonijiet li ġejjin
11The Black Rider - Schauspielmusical von Tom Waits, Robert Wilson und William S. Burroughs, Waits
Theater St GallenKuno
Ara l-cast u l-ekwipaġġGuillaume Tell (William Tell), Rossini
Theater St GallenRuodi
Ara l-cast u l-ekwipaġġĦad19:00
St Gallen, SwitzerlandThe Black Rider - Schauspielmusical von Tom Waits, Robert Wilson und William S. Burroughs, Waits
Theater St GallenKuno
Ara l-cast u l-ekwipaġġGuillaume Tell (William Tell), Rossini
Theater St GallenRuodi
Ara l-cast u l-ekwipaġġĦad17:00
St Gallen, Switzerland
Bijografija
Riccardo Botta, Italian-Swiss tenor, began studying singing in Trieste with his father, the tenor Giuseppe Botta, and then studied with the teacher Enza Ferrari and the famous baritone Giuseppe Taddei. His official debut in the world of opera, which took place in 1996 in Cimarosa's "The Secret Marriage" in Treviso, marks the beginning of a happily eventful career, also due to the significant number of operatic roles played (over 90!), And undoubtedly, full of successes. During the first decade of professional activity, thanks to his excellent vocal qualities and musical talent, he completely dedicated himself to Belcanto, interpreting the first tenor roles of the great repertoire (Don Pasquale, Elisir d'amore, Lucia di Lammermoor, Il Barbiere di Seville, L'italiana in Algeri, Cenerentola,
