Crèdits de representació
Properes actuacions Avui Endavant
Actuacions passades 1997 — Ahir
Die Frau ohne Schatten (The Woman without a Shadow), Strauss
Opéra national du CapitoleDie Amme (The nurse)
Veure elenc i equipBalanchine & Maillot - La Valse & L’Enfant et les sortilèges - Académies lyriques, Ravel
Opéra de Monte-CarloAcademie Director
Veure programa, repartiment i equipDer Rosenkavalier (The Knight of the Rose), Strauss
Staatskapelle DresdenOctavian
Veure elenc i equipActuacions anteriors destacades
Die Frau ohne Schatten (The Woman without a Shadow), Strauss
Opéra national du CapitoleDie Amme (The nurse)
Veure elenc i equip
Balanchine & Maillot - La Valse & L’Enfant et les sortilèges - Académies lyriques, Ravel
Opéra de Monte-CarloAcademie Director
Veure programa, repartiment i equip
Der Rosenkavalier (The Knight of the Rose), Strauss
Staatskapelle DresdenOctavian
Veure elenc i equipProperes actuacions
22Pelléas et Mélisande (Pelléas and Mélisande), Debussy
Bavarian State OperaGeneviève (Genevieve)
Veure elenc i equipDie Passagierin (The Passenger), Weinberg
Bavarian State OperaLisa (Liese)
Veure elenc i equipDs.19:00
Munich, GermanyPelléas et Mélisande (Pelléas and Mélisande), Debussy
Bavarian State OperaGeneviève (Genevieve)
Veure elenc i equipDg.19:00
Munich, GermanyDie Passagierin (The Passenger), Weinberg
Bavarian State OperaLisa (Liese)
Veure elenc i equipDt.19:00
Munich, GermanyPelléas et Mélisande (Pelléas and Mélisande), Debussy
Bavarian State OperaGeneviève (Genevieve)
Veure elenc i equipDialogues des Carmélites (Dialogues of the Carmelites), Poulenc
Théâtre des Champs-ElyséesMadame de Croissy
Veure elenc i equipPelléas et Mélisande (Pelléas and Mélisande), Debussy
Opéra National de ParisGeneviève (Genevieve)
Veure elenc i equip
Biografia
Sophie Koch studied with Jane Berbié at the Conservatoire National Supérieur de Musique de Paris and won the 1st prize of the Dutch International Vocal Competition in Hertogenbosch. Her debut took place in France but it was at the Royal Opera House, Covent Garden (Il Barbiere di Siviglia and Cosi fan tutte) and the Semperoper Dresden (Ariadne auf Naxos) under the Direction of Sir Colin Davis where she had her greatest success. This was followed by Don Giovanni and Orfeo at the Bayerische Staatsoper in Munich. In Vienna, she made her debut as Cherubino and she was immediately offered Octavian in Der Rosenkavalier, emblematic role of her young career which she sung all over the world. After Munich, Berlin, Milan, Vienna and London, she has appeared at the Paris Opera for the Ring and King Ar
