Forestillingkreditter
Kommende forestillinger I dag og utover
Tidligere forestillinger 1997 – I går
Die Passagierin (The Passenger), Weinberg
Bayerische StaatsoperLisa (Liese)
Se rollebesetning og crewDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Opéra national du CapitoleDie Amme (The nurse)
Se rollebesetning og crewBalanchine & Maillot - La Valse & L’Enfant et les sortilèges - Académies lyriques, Ravel
Opéra de Monte-CarloAcademie Director
Se program, rollebesetning og crewDer Rosenkavalier (The Knight of the Rose), Strauss
Staatskapelle DresdenOctavian
Se rollebesetning og crewUtvalgte tidligere forestillinger
Die Passagierin (The Passenger), Weinberg
Bayerische StaatsoperLisa (Liese)
Se rollebesetning og crew
Die Frau ohne Schatten (The Woman without a Shadow), Strauss
Opéra national du CapitoleDie Amme (The nurse)
Se rollebesetning og crew
Balanchine & Maillot - La Valse & L’Enfant et les sortilèges - Académies lyriques, Ravel
Opéra de Monte-CarloAcademie Director
Se program, rollebesetning og crew
Der Rosenkavalier (The Knight of the Rose), Strauss
Staatskapelle DresdenOctavian
Se rollebesetning og crewKommende forestillinger
22Pelléas et Mélisande (Pelléas and Mélisande), Debussy
Bavarian State OperaGeneviève (Genevieve)
Se rollebesetning og crewDie Passagierin (The Passenger), Weinberg
Bavarian State OperaLisa (Liese)
Se rollebesetning og crewlø.19:00
Munich, GermanyPelléas et Mélisande (Pelléas and Mélisande), Debussy
Bavarian State OperaGeneviève (Genevieve)
Se rollebesetning og crewsø.19:00
Munich, GermanyDie Passagierin (The Passenger), Weinberg
Bavarian State OperaLisa (Liese)
Se rollebesetning og crewti.19:00
Munich, Germany
Biografi
Sophie Koch studied with Jane Berbié at the Conservatoire National Supérieur de Musique de Paris and won the 1st prize of the Dutch International Vocal Competition in Hertogenbosch. Her debut took place in France but it was at the Royal Opera House, Covent Garden (Il Barbiere di Siviglia and Cosi fan tutte) and the Semperoper Dresden (Ariadne auf Naxos) under the Direction of Sir Colin Davis where she had her greatest success. This was followed by Don Giovanni and Orfeo at the Bayerische Staatsoper in Munich. In Vienna, she made her debut as Cherubino and she was immediately offered Octavian in Der Rosenkavalier, emblematic role of her young career which she sung all over the world. After Munich, Berlin, Milan, Vienna and London, she has appeared at the Paris Opera for the Ring and King Ar
