Biography
Teresia Bokor has established herself as a highly appreciated and sought-after soprano with a striking beauty of tone, strong stage presence and impressive coloratura skills. Being of Swedish-Hungarian origin, she has a strong affinity towards the central European musical tradition, beside her passion for Italian opera. Highlights of her stage carrier in recent years include Servilia in La clemenza di Tito at the Royal Danish Opera under Lars Ulrik Mortensen with stage director David McVicar, Gilda in Rigoletto at Norrlandsoperan under Rumon Gamba, Fiorilla in Il Turco in Italia at Läckö Slottsopera, Micaëla in Carmen with the Nordic Wind Ensemble, Christine in The Phantom of the Opera at Det Ny Teater in Copenhagen with stage director Arthur Masella, and the Queen of the night in The magi
Performance credits
Past performances 2007 — Yesterday
Konsert 5 – Vindsus och vågstänk, ScriabinHaglund
Tommie Haglund International FestivalSoprano
View program, cast and crewLes Surprises de l'Enfer (The Surprises of Hell), Aboulker
Malmö OperaSéraphine (Seraphine)
View cast and crewLes Surprises de l'Enfer (The Surprises of Hell), Aboulker
Malmö OperaSéraphine (Seraphine)
View cast and crewHänsel und Gretel (Hansel and Gretel), Humperdinck
Malmö OperaTaumännchen (Dewman) + 1 roles
View cast and crew-
Featured past performances
Konsert 5 – Vindsus och vågstänk, ScriabinHaglund
Tommie Haglund International FestivalSoprano
View program, cast and crew
Hänsel und Gretel (Hansel and Gretel), Humperdinck
Malmö OperaSandmännchen (Sandman) + 1 roles
View cast and crew-
Die Zauberflöte (The Magic Flute), Mozart
FolkoperanKönigin der Nacht (The Queen of the Night)
View cast and crew
Let's Make An Opera - The Little Sweep, Op.45 (Let's Make an Opera - The Little Sweep), Britten
Malmö OperaPamela Chaffinch/Rowan + 1 roles
View cast and crew-
Biography
Teresia Bokor has established herself as a highly appreciated and sought-after soprano with a striking beauty of tone, strong stage presence and impressive coloratura skills. Being of Swedish-Hungarian origin, she has a strong affinity towards the central European musical tradition, beside her passion for Italian opera. Highlights of her stage carrier in recent years include Servilia in La clemenza di Tito at the Royal Danish Opera under Lars Ulrik Mortensen with stage director David McVicar, Gilda in Rigoletto at Norrlandsoperan under Rumon Gamba, Fiorilla in Il Turco in Italia at Läckö Slottsopera, Micaëla in Carmen with the Nordic Wind Ensemble, Christine in The Phantom of the Opera at Det Ny Teater in Copenhagen with stage director Arthur Masella, and the Queen of the night in The magi
