Минали изпълнения 1996 — Вчера
Pikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Mariinsky TheatreHerman
Преглед на артистите и постановъчната трупа-
Turandot, Puccini
Mariinsky TheatreCalaf (The Unknown Prince) (Calaf)
Преглед на артистите и постановъчната трупа-
Turandot, Puccini
Mariinsky TheatreCalaf (The Unknown Prince) (Calaf)
Преглед на артистите и постановъчната трупаTurandot, Puccini
Mariinsky TheatreCalaf (The Unknown Prince) (Calaf)
Преглед на артистите и постановъчната трупаPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Mariinsky TheatreHerman
Преглед на артистите и постановъчната трупа-
Pikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Mariinsky TheatreHerman
Преглед на артистите и постановъчната трупаPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Mariinsky TheatreHerman
Преглед на артистите и постановъчната трупа-
Turandot, Puccini
Mariinsky TheatreCalaf (The Unknown Prince) (Calaf)
Преглед на артистите и постановъчната трупа-
Turandot, Puccini
Mariinsky TheatreCalaf (The Unknown Prince) (Calaf)
Преглед на артистите и постановъчната трупаPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Mariinsky TheatreHerman
Преглед на артистите и постановъчната трупа-
Игрок (The Gambler), Prokofiev
Primorsky Stage of the Mariinsky TheatreAlexey
Преглед на артистите и постановъчната трупа-
Vladimir Galouzine is indisputably one of the world’s leading dramatic tenors, known for his unrivaled stentorious voice and extremely vivid characterizations of some of the most demanding roles. He started his career as a member of the Mariinsky Theater in Saint Petersburg, Russia, performing a myriad of leading roles from both the Russian and the Italian repertoire, including, amongst others: the title roles in Verdi’s Otello and Don Carlo and Rimsky-Korsakov’s Sadko, Radames in Verdi’s Aïda, Calaf in Puccini’s Turandot, Des Grieux in Puccini’s Manon Lescaut, Cavaradossi in Puccini’s Tosca, Alexey in Prokofiev’s The Gamblers, Sergey in Shostakovich’s Lady Macbeth of Mtsensk, Khovansky in Mussorgsky’s Khovanschina, Canio in Leoncavallo’s I Pagliacci; and the role of which he is widely con