Biography
Born in Hartford, Connecticut, Lydia Steier first moved to Germany as a Fulbright Scholar following her vocal studies at Oberlin Conservatory of Music in Ohio. Steier’s work on The Lesson in Berlin’s HAU and on the multimedia production of Eight Songs for a Mad King, which was presented in Chicago, Cleveland, New York and Mexico, were the first two productions to bring her significant attention. Following that, Steier directed productions of La clemenza di Tito, and Brundibar for Opera Theater of Pittsburgh, Lohengrin at Los Angeles Opera, Madame Butterfly in Bremen, and The Merry Widow at the Deutsches Nationaltheater Weimar. Her stagings were further invited to festivals in Hong Kong, Dublin and New York. Based on her productions of Busoni’s Turnadot and Leonvallo’s Pagliacci, she was
Performance credits
Upcoming performances Today Onwards
Past performances 2008 — Yesterday
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Le nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
View cast and crewDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Herbstfestspiele Baden-BadenStage director
View cast and crewFeatured past performances
Le nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
View cast and crewUpcoming performances
26Salome, Strauss
Opéra National de ParisStage director
View cast and crewThu20:00
Paris, FranceLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
View cast and crewFri19:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
View cast and crewLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
View cast and crewSun18:30
Hanover, Germany
Biography
Born in Hartford, Connecticut, Lydia Steier first moved to Germany as a Fulbright Scholar following her vocal studies at Oberlin Conservatory of Music in Ohio. Steier’s work on The Lesson in Berlin’s HAU and on the multimedia production of Eight Songs for a Mad King, which was presented in Chicago, Cleveland, New York and Mexico, were the first two productions to bring her significant attention. Following that, Steier directed productions of La clemenza di Tito, and Brundibar for Opera Theater of Pittsburgh, Lohengrin at Los Angeles Opera, Madame Butterfly in Bremen, and The Merry Widow at the Deutsches Nationaltheater Weimar. Her stagings were further invited to festivals in Hong Kong, Dublin and New York. Based on her productions of Busoni’s Turnadot and Leonvallo’s Pagliacci, she was
