| od / do |
Opera |
Rola |
Miejsce |
|
VII 14  | | Ariadne auf Naxos | lighting de | München(Fest) | D: A Fisch; R: Carsen |
| V-VI 14 | Die | Walkure | lighting | Barcelona(Liceu) | D: Josep Pons; R: Carsen |
| V 14 | | Ariadne auf Naxos | lighting | München(SO) | D: A Fisch; R: Carsen |
| X-XI 13 | | Macbeth | lighting it | Berlin(Deutsche) | D: Arrivabeni; R: Carsen |
| X-XI 13 | Ein | Walzertraum | lighting de | Wien(Volk) | R: Robert Meyer |
| IX 13-V 14 | | Nabucco | sets it | Wien(SO) | D: Carignani / Jesus Lopez-Cobos; R: Günter Krämer |
| IX 13-V 14 | | Nabucco | lighting it | Wien(SO) | D: Carignani / Jesus Lopez-Cobos; R: Günter Krämer |
| IX-XII 13 | | Don Giovanni | lighting | St Gallen(Theater) | D: Tausk; R: Guy Joosten |
| VII 13 | | Attila | lighting it | Wien(Theater) | D: Frizza; R: Konwitschny |
| VII 13 | | Falstaff | lighting it | München(Fest) | D: Carignani; R: E Gramss |
| VII 13 | | Ariadne auf Naxos | lighting de | München(Fest) | D: Bertrand de Billy; R: Carsen |
| VI-VII 13 | | Lucio Silla | lighting | Barcelona(Liceu) | D: Bicket; R: C Guth |
| V 13 | | Lohengrin | lighting | Hamburg(SO) | D: Simone Young; R: Konwitschny |
| IV-V 13 | Das | Rheingold | lighting | Barcelona(Liceu) | D: Josep Pons; R: Carsen |
| III 13 | | Ariadne auf Naxos | lighting de | München(SO) | D: Koenigs; R: Carsen |
| II-III 13 | | Lucrezia Borgia | lighting | Bruxelles(Monnaie) | D: Julian Reynolds; R: Guy Joosten |
| II-III 13 | | Cosi fan tutte | lighting it | Hamburg(SO) | D: Alber; R: Marco Arturo Marelli |
| I-IV 13 | | Dialogues des Carmelites | lighting fr | Dusseldorf | D: Axel Kober / Ralf Lange; R: Guy Joosten |
| I 13 | | Nabucco | lighting | Wien(SO) | D: Jesus Lopez-Cobos; R: Günter Krämer |
| XII 12-VI 13 | Die | Frau ohne Schatten | lighting de | Dusseldorf | D: Axel Kober; R: Guy Joosten |
| XI 12 | | Samson et Dalila | lighting | Genève(Opera) | D: M Plasson; R: Kinmonth |
| X-XII 12 | La | Wally | lighting | St Gallen(Theater) | D: Pitrenas; R: Guy Joosten |
| X 12-V 13 | | Tannhauser | lighting | Hamburg(SO) | D: Simone Young; R: H Kupfer |
| IX-XI 12 | Ein | Walzertraum | lighting | Wien(Volk) | D: Mancusi; R: Robert Meyer |
| V-VI 12 | | Elektra | lighting de | Stuttgart | D: Georg Fritzsch; R: Konwitschny |
| V 12 | Der | Rosenkavalier | lighting | Firenze(Maggio) | D: Zubin Mehta; R: E Gramss |
| IV 12 | | Rumor | lighting | Gent | D: Brabbins; R: Guy Joosten |
| IV-VI 12 | Die | Frau ohne Schatten | lighting de | Dusseldorf | D: Axel Kober; R: Guy Joosten |
| IV 12 | Il | turco in Italia | lighting | Amsterdam(NO) | D: C Rizzi; R: David Hermann |
| III 12 | | Rumor | lighting | Antwerpen(Vlaamse) | D: Brabbins; R: Guy Joosten |
| III 12 | | Macbeth | lighting | Berlin(Deutsche) | D: Repušić; R: Carsen |
| III-IV 12 | | Dialogues des Carmelites | lighting fr | Dusseldorf | D: Axel Kober / Ralf Lange; R: Guy Joosten |
| I-II 12 | | Salome | lighting | Bruxelles(Monnaie) | D: C Rizzi; R: Guy Joosten |
| XII 11 | | Nabucco | lighting | Wien(SO) | D: Michael Güttler; R: Günter Krämer |
| XI 11 | | Salome | lighting de | Hamburg(SO) | D: Simone Young; R: Willy Decker |
| X 11 | | Ariadne auf Naxos | lighting | München(SO) | D: Nagano; R: Carsen |
| IX-X 11 | | Dialogues des Carmelites | lighting fr | Duisburg | D: Axel Kober / Ralf Lange; R: Guy Joosten |
| IX-X 11 | | Otello | lighting it | Hannover | D: de Veer; R: Nicolas Brieger / C Ebert |
| IX 11-I 12 | | Rigoletto | lighting it | Hamburg(SO) | D: Soddy; R: Homoki |
| VII 11 | | Ariadne auf Naxos | lighting | München(Fest) | D: Nagano; R: Carsen |
| VI-VII 11 | Das | Rheingold | lighting de | Venezia(Fenice) | D: Jeffrey Tate; R: Carsen |
| VI-VII 11 | | Macbeth | lighting it | Berlin(Deutsche) | D: Maurizio Benini; R: Carsen |
| V-VI 11 | | Samson et Dalila | lighting fr | Berlin(Deutsche) | D: Altinoglu; R: Kinmonth |
| IV-V 11 | | Nabucco | sets | Wien(SO) | D: Jesus Lopez-Cobos; R: Günter Krämer |
| IV-V 11 | | Nabucco | lighting | Wien(SO) | D: Jesus Lopez-Cobos; R: Günter Krämer |
| IV-VI 11 | | Elektra | lighting | Leipzig | D: U Schirmer; R: Konwitschny |
| IV 11 | | Cosi fan tutte | lighting it | Hamburg(SO) | D: Kamensek; R: Marco Arturo Marelli |
| III-IV 11 | | Ariadne auf Naxos | lighting de | Berlin(Deutsche) | D: J Lacombe; R: Carsen |
| III 11 | | Wozzeck | lighting | Marseille | D: Lawrence Foster; R: Guy Joosten |
| I-II 11 | | Marie Victoire | lighting fr | Berlin(Deutsche) | D: M Jurowski; R: Schaaf |
| I-IV 11 | Die | Liebe der Danae | lighting de | Berlin(Deutsche) | D: Litton; R: Kirsten Harms |
| I 11 | | Ariadne auf Naxos | lighting | München(SO) | D: Nagano; R: Carsen |
| XII 10-I 11 | | Hansel und Gretel | lighting | Bonn | D: Blunier; R: Franziska Severin |
| XII 10-I 11 | I | masnadieri | lighting it | Zurich(Oper) | D: Adam Fischer; R: Guy Joosten |
| XI-XII 10 | Die | Frau ohne Schatten | lighting de | Duisburg | D: Axel Kober; R: Guy Joosten |
| XI 10-III 11 | | Rigoletto | lighting it | Hamburg(SO) | D: Soddy; R: Homoki |
| X-XI 10 | | Dialogues des Carmelites | lighting fr | Dusseldorf | D: Axel Kober; R: Guy Joosten |
| X 10 | | Salome | lighting de | Firenze(Maggio) | D: Carignani; R: Carsen |
| VI 10 | | Gotterdammerung | lighting | Köln | D: Markus Stenz; R: Carsen |
| VI 10 | | Siegfried | lighting | Köln | D: Markus Stenz; R: Carsen |
| VI 10 | Die | Walkure | lighting | Köln | D: Markus Stenz; R: Carsen |
| VI 10 | Das | Rheingold | lighting | Köln | D: Markus Stenz; R: Carsen |
| IV 10 | | Salome | lighting | Madrid(Real) | D: Jesus Lopez-Cobos; R: Carsen |
| III-VI 10 | | Elektra | lighting de | København(KGL) | D: Schønwandt; R: Konwitschny |
| III-IV 10 | | Don Carlos | lighting it | Köln | D: Caetani; R: Torsten Fischer |
| II-V 10 | Der | Rosenkavalier | lighting | Köln | D: Patrik Ringborg; R: Günter Krämer |
| I-II 10 | | Elektra | lighting de | Bruxelles(Monnaie) | D: Koenigs; R: Guy Joosten |
| XII 09-I 10 | | Rigoletto | lighting it | Hamburg(SO) | D: Balázs Kocsár; R: Homoki |
| XII 09-V 10 | | Macbeth | lighting | Wien(SO) | D: G Calvo; R: Nemirova |
| XI-XII 09 | | Ariadne auf Naxos | lighting de | København(KGL) | D: Layer; R: Carsen |
| XI-XII 09 | Les | contes d'Hoffmann | lighting fr | Köln | D: Helmrath; R: Günter Krämer |
| XI-XII 09 | | Salome | lighting | Amsterdam(NO) | D: Soltesz; R: Konwitschny |
| X 09 | | Wozzeck | lighting | Gent | D: Brabbins; R: Guy Joosten |
| X 09 | | Nabucco | sets | Wien(SO) | D: Carignani; R: Günter Krämer |
| X 09 | | Nabucco | lighting | Wien(SO) | D: Carignani; R: Günter Krämer |
| IX-X 09 | | Ariadne auf Naxos | lighting de | München(SO) | D: J Lacombe; R: Carsen |
| VII 09 | | Falstaff | lighting it | München(Fest) | D: Luisi; R: E Gramss |
| VII 09 | | Ariadne auf Naxos | lighting de | München(Fest) | D: Bertrand de Billy; R: Carsen |
| VI-VII 09 | | Salome | lighting | Barcelona(Liceu) | D: M Boder; R: Guy Joosten |
| III-IV 09 | | Cosi fan tutte | lighting it | Hamburg(SO) | D: Balázs Kocsár; R: Marco Arturo Marelli |
| III 09 | | Falstaff | lighting it | München(SO) | D: Soltesz / Luisi; R: E Gramss |
| II-III 09 | | Nabucco | sets | Wien(SO) | D: Carignani; R: Günter Krämer |
| II-III 09 | | Nabucco | lighting | Wien(SO) | D: Carignani; R: Günter Krämer |
| II-III 09 | | Macbeth | lighting it | Köln | D: Ivan Anguélov; R: Carsen |
| II 09 | | Ariadne auf Naxos | lighting | Berlin(Deutsche) | D: J Lacombe; R: Carsen |
| X 08 | | Nabucco | sets it | Venezia(Fenice) | D: R Palumbo; R: Günter Krämer |
| X 08 | | Nabucco | lighting it | Venezia(Fenice) | D: R Palumbo; R: Günter Krämer |
| X-XI 08 | La | clemenza di Tito | lighting it | Oslo(DNO) | D: Alessandrini; R: Konwitschny |
| X-XII 08 | Die | Fledermaus | lighting | Köln | D: E Dovico; R: Lohner |
| IX 08-IV 09 | | Rigoletto | lighting it | Hamburg(SO) | D: Kamensek; R: Homoki |
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