Crèdits de representació
Properes actuacions Avui Endavant
Actuacions passades 2002 — Ahir
Kammerakademie Potsdam & Antonello Manacorda, Beethoven
Kammerakademie PotsdamSoprano
Veure elenc i equipBengtsson: Klanken Van Vrijheid, MozartBeethovenStraussDvořákVon SuppéStrauss, JosefLehárStrauss II, J. S.Strauss II
Antwerp Symphony OrchestraDaphne + 3 rols
Veure programa, repartiment i equipDer Rosenkavalier (The Knight of the Rose), Strauss
Grand Théâtre de GenèveDie Feldmarschallin Fürstin Werdenberg (The Marschallin)
Veure elenc i equipActuacions anteriors destacades
Kammerakademie Potsdam & Antonello Manacorda, Beethoven
Kammerakademie PotsdamSoprano
Veure elenc i equip
Bengtsson: Klanken Van Vrijheid, MozartBeethovenStraussDvořákVon SuppéStrauss, JosefLehárStrauss II, J. S.Strauss II
Antwerp Symphony OrchestraDaphne + 3 rols
Veure programa, repartiment i equip
Der Rosenkavalier (The Knight of the Rose), Strauss
Grand Théâtre de GenèveDie Feldmarschallin Fürstin Werdenberg (The Marschallin)
Veure elenc i equip
Properes actuacions
22Intermezzo, Strauss
Deutsche Oper BerlinChristine (His Wife)
Veure elenc i equipDj.19:00
Berlin, GermanyDg.17:00
Berlin, GermanyDc.17:00
Berlin, GermanyDg.17:00
Berlin, GermanyLe nozze di Figaro (The Marriage of Figaro), Mozart
Bavarian State OperaLa Contessa di Almaviva (The Countess of Almaviva)
Veure elenc i equip
Biografia
In the season 2020/21 Maria Bengtsson will return to the Staatsoper Berlin as Governess in Turn of the Screw and will sing the Countess in Capriccio at Oper Leipzig. She will make further role debuts as Ellen Orford in a new production of Peter Grimes at the Teatro Real Madrid and as Blanche in a new production of Dialogue des Carmelites at Oper Frankfurt. Recent season highlights include the title role in Rusalka and Clara in the world premiere of Christian Jost’s Egmont at the Theater an der Wien, Fiordiligi (Così fan tutte) and Verdi’s Messa da Requiem at Staatsoper Hamburg, Fiordiligi at Teatro San Carlo in Naples under the baton of Riccardo Muti, her participation in Calixto Bieito’s scenic version of Verdi’s Messa da Requiem at Staatsoper Hamburg and a scenic interpretation of Mend
