Kommende forestillinger I dag og frem
Tidligere forestillinger 1997 – i går
Semyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus (Bass)
Se rollebesætning og besætningRoméo et Juliette (Romeo and Juliet), Gounod
The Metropolitan OperaComte Capulet (Count Capulet)
Se rollebesætning og besætningKarina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Bluebeard)
Se program, rollebesætning og crewSemyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus (Bass)
Se rollebesætning og besætningRoméo et Juliette (Romeo and Juliet), Gounod
The Metropolitan OperaComte Capulet (Count Capulet)
Se rollebesætning og besætningKarina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Bluebeard)
Se program, rollebesætning og crewDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Se rollebesætning og besætninglør.19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Se rollebesætning og besætningsøn.17:00
Basel, SwitzerlandDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Se rollebesætning og besætningman.19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Se rollebesætning og besætningtirs.18:00
Basel, SwitzerlandDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Se rollebesætning og besætninglør.19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Se rollebesætning og besætningsøn.17:00
Basel, SwitzerlandHamlet, Thomas
Opéra de MontréalClaudius (King Claudius)
Se rollebesætning og besætningASO Chorus + Belshazzar's Feast, SibeliusWalton
Atlanta Symphony OrchestraBass-Baritone
Se program, rollebesætning og crewGrammy, Juno and Echo Award winner Nathan Berg continues to captivate audiences around the world with his “oaken” (Financial Times), “solid, communicative” (New York Times), “dark-chocolate” (Vancouver Courier) “first-class voice” (Boston Globe) and as a “brilliant actor and a palpable presence on stage” (Financial Times). “A miracle of vocal ease and theatrical characterization” (ResMusica), “his technique is impeccable” (Opera News) and he possesses “a voice not only powerful and full of meaning, but of such velvet beauty” (The Times). With a repertoire that widely encompasses music from five centuries and an expansive discography, his ever-evolving career continues to grow from strength to strength. Nathan begins and ends an exciting 23/24 season as Wotan in Wagner’s Das Rheingold and