Tulevased etendused Tänasest Edasi
Varasemad etendused 2009 – eile
Die lustige Witwe (The Merry Widow), Lehár
Opera Nationala Romana TimisoaraStage director
Vaadake näitlejaid ja meeskondaTurandot, Puccini
Opera Nationala Romana TimisoaraSet designer + 1 rolli
Vaadake näitlejaid ja meeskondaAdriana Lecouvreur, Cilea
Opera Nationala Romana TimisoaraStage director + 2 rolli
Vaadake näitlejaid ja meeskondaTurandot, Puccini
Opera Nationala Romana TimisoaraCostume designer + 1 rolli
Vaadake näitlejaid ja meeskondaDon Carlo (Italian version), Verdi
Opera Națională BucureștiStage director + 3 rolli
Vaadake näitlejaid ja meeskondaIl trovatore (The Troubadour), Verdi
Opera Națională BucureștiStage director + 3 rolli
Vaadake näitlejaid ja meeskondaTurandot, Puccini
Opera Nationala Romana TimisoaraSet designer + 1 rolli
Vaadake näitlejaid ja meeskondaAdriana Lecouvreur, Cilea
Opera Nationala Romana TimisoaraStage director + 2 rolli
Vaadake näitlejaid ja meeskondaTurandot, Puccini
Opera Nationala Romana TimisoaraCostume designer + 1 rolli
Vaadake näitlejaid ja meeskondaDon Carlo (Italian version), Verdi
Opera Națională BucureștiStage director + 3 rolli
Vaadake näitlejaid ja meeskondaIl trovatore (The Troubadour), Verdi
Opera Națională BucureștiStage director + 3 rolli
Vaadake näitlejaid ja meeskondaDon Carlo (Italian version), Verdi
Bucharest National OperaStage director + 3 rolli
Vaadake näitlejaid ja meeskondaTosca, Puccini
Bucharest National OperaStage director + 3 rolli
Vaadake näitlejaid ja meeskondaDe Carlo chose to study at a Liceo Classico (secondary school), specialising in Greek and Latin studies and from an early age also studied pianoforte. During Liceo, he directed, set designed and designed the costumes for student productions of Sophocles’ Electra and Mozart’s The Magic Flute. To begin his University career, De Carlo moved to Rome, where he studied Italian Language and Literature, History of the Theatre and Music with Fedele D’Amico at ‘La Sapienza’ University.Subsequently, De Carlo transferred to Milan where he gained valuable and varied experience working in the studios of such well known set-builders and costume makers as Sormani and Brancato. As a set and costume designer assistant for the opera, De Carlo worked with such illustrious houses as The Fenice, Venice (Donizet