Crédits de représentation
Représentations à venir À partir d'aujourd'hui
Performances passées 1993 – Hier
Adriana Lecouvreur (Adrienne Lecouvreur), Cilea
Opéra National de ParisLumières
Voir la distribution et l'équipeUn ballo in maschera (Un Bal masqué), Verdi
The Metropolitan OperaLumières
Voir la distribution et l'équipePerformances passées en vedette
Adriana Lecouvreur (Adrienne Lecouvreur), Cilea
Opéra National de ParisLumières
Voir la distribution et l'équipe
Un ballo in maschera (Un Bal masqué), Verdi
The Metropolitan OperaLumières
Voir la distribution et l'équipe
Représentations à venir
35Andrea Chénier, Giordano
Royal Opera HouseLumières
Voir la distribution et l'équipePartenope, Händel
San Francisco OperaLumières
Voir la distribution et l'équipesam.19:30
San Francisco, États-Unis
Biographie
American lighting designer Adam Silverman made his Royal Opera debut in 2010 on Adriana Lecouvreur, directed by David McVicar, and his Royal Ballet debut in 2013 on Christopher Wheeldon’s Aeternum. He has since returned to create the lighting design for Andrea Chénier, directed by McVicar for The Royal Opera, for The Last Hotel, a co-commission and co-production between Landmark Productions and Wide Open Opera, for Arthur Pita’s The Wind for The Royal Ballet and for Lohengrin, directed by David Alden, for The Royal Opera. He returns in the 2018/19 Season as lighting designer for Sidi Larbi Cherkaoui's Medusa. Silverman trained at the North Carolina School of the Arts and now works extensively in opera, theatre and dance. Opera credits include Un ballo in maschera for the Metropolitan Opera
