Næstu sýningar Í dag áfram
Fyrri sýningar 1997 — Í gær
Semyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus (Bass)
Skoða leikara og mannskapRoméo et Juliette (Romeo and Juliet), Gounod
The Metropolitan OperaComte Capulet (Count Capulet)
Skoða leikara og mannskapKarina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Bluebeard)
Skoða dagskrá, leikarahóp og mannskapSemyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus (Bass)
Skoða leikara og mannskapRoméo et Juliette (Romeo and Juliet), Gounod
The Metropolitan OperaComte Capulet (Count Capulet)
Skoða leikara og mannskapKarina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Bluebeard)
Skoða dagskrá, leikarahóp og mannskapDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Skoða leikara og mannskaplau19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Skoða leikara og mannskapsun17:00
Basel, SwitzerlandDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Skoða leikara og mannskapmán19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Skoða leikara og mannskapþri18:00
Basel, SwitzerlandDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Skoða leikara og mannskaplau19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Skoða leikara og mannskapsun17:00
Basel, SwitzerlandHamlet, Thomas
Opéra de MontréalClaudius (King Claudius)
Skoða leikara og mannskapGrammy, Juno and Echo Award winner Nathan Berg continues to captivate audiences around the world with his “oaken” (Financial Times), “solid, communicative” (New York Times), “dark-chocolate” (Vancouver Courier) “first-class voice” (Boston Globe) and as a “brilliant actor and a palpable presence on stage” (Financial Times). “A miracle of vocal ease and theatrical characterization” (ResMusica), “his technique is impeccable” (Opera News) and he possesses “a voice not only powerful and full of meaning, but of such velvet beauty” (The Times). With a repertoire that widely encompasses music from five centuries and an expansive discography, his ever-evolving career continues to grow from strength to strength. Nathan begins and ends an exciting 23/24 season as Wotan in Wagner’s Das Rheingold and