Name: 1. Sinfoniekonzert, Mensch - Mythos - Musik
Start: 2023-10-20T00:00:00.000Z
End: 2023-10-20T00:00:00.000Z
Location: Hochschule für Musik

Organization

Conductor

Enrico Calesso

Instrumentalist

Olga Scheps

Piano

Mainfranken Theater Würzburg

Orchestra

Philharmonisches Orchester Würzburg

1. Sinfoniekonzert, Mensch - Mythos - Musik

Karlsruhe

Germany

Hochschule für Musik

1. Sinfoniekonzert, Mensch - Mythos - Musik: Orfeo ed Euridice Gluck (+1 More)

Public

Orpheus and Eurydice

Piano Concerto No. 4 in G Major, op. 58

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Contralto

Bass-baritone

Countertenor

Tenor

Baritone

Soprano

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Das Philharmonische Orchester Würzburg wandelt zur Eröffnung der Konzertsaison 21/22 auf den mythologischen Pfaden der Musik. Den Auftakt hierzu gibt die Ouvertüre zu Christoph Willibald Glucks „Orfeo ed Euridice“. Die 1762 uraufgeführte Oper fasst die Geschichte von Orpheus, der die Götter der Unterwelt mit seinem Gesang besänftigt, um seine geliebte Eurydike ins Leben zurückzuholen, in gleichermaßen packende wie berührende Musik.

Das Wechselspiel komplementärer Prinzipien wendet Ludwig van Beethoven in der Anlage seines vierten Klavierkonzerts an, indem er die etablierte Form des Solokonzerts um den Aspekt des Sinfonischen erweitert. Eine verführerische Begegnung zwischen Apoll, dem Gott der Musik, und den Musen der Poesie, der Hymnendichtung und des Tanzes wartet in Strawinskys Ballettsuite zu „Apollon musagète“ von 1927/28.

Deutsch

At the opening of the 21/22 concert season, the Würzburg Philharmonic Orchestra is walking the mythological paths of music. The prelude to this is the overture to Christoph Willibald Gluck's "Orfeo ed Euridice". The opera, which premiered in 1762, tells the story of Orpheus, who appeases the gods of the underworld with his singing in order to bring his beloved Eurydice back to life, in music that is as gripping as it is touching.

Ludwig van Beethoven uses the interplay of complementary principles in the structure of his fourth piano concerto by expanding the established form of the solo concerto to include the symphonic aspect. A seductive encounter between Apollo, the god of music, and the muses of poetry, hymns and dance awaits in Stravinsky's ballet suite to "Apollon musagète" from 1927/28.

English

1. Sinfoniekonzert, Mensch - Mythos - Musik by Gluck, Beethoven, Ó (2023/2023), Seoltóir Enrico Calesso, Hochschule für Musik, Karlsruhe, Germany

Creidmheasanna feidhmíochta (Foireann & Criú )

Ensemble

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid