Name: 1. Sinfoniekonzert, Mensch - Mythos - Musik
Start: 2023-10-20T00:00:00.000Z
End: 2023-10-20T00:00:00.000Z
Location: Hochschule für Musik

Organization

Maestro

Enrico Calesso

Instrumentista

Olga Scheps

Piano

Mainfranken Theater Würzburg

Orchestra

Philharmonisches Orchester Würzburg

1. Sinfoniekonzert, Mensch - Mythos - Musik

Karlsruhe

Alemanha

Hochschule für Musik

1. Sinfoniekonzert, Mensch - Mythos - Musik: Orfeo ed Euridice Gluck (+1 More)

Public

Orfeu e Eurídice

Concerto para piano nº 4 em sol maior, op. 58

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Cantor

Baixo-barítono

Contralto

Soprano

Barítono

Baixo

Contratenor

Tenor

Alto

Silent

Spoken

Vocalista Infantil

Das Philharmonische Orchester Würzburg wandelt zur Eröffnung der Konzertsaison 21/22 auf den mythologischen Pfaden der Musik. Den Auftakt hierzu gibt die Ouvertüre zu Christoph Willibald Glucks „Orfeo ed Euridice“. Die 1762 uraufgeführte Oper fasst die Geschichte von Orpheus, der die Götter der Unterwelt mit seinem Gesang besänftigt, um seine geliebte Eurydike ins Leben zurückzuholen, in gleichermaßen packende wie berührende Musik.

Das Wechselspiel komplementärer Prinzipien wendet Ludwig van Beethoven in der Anlage seines vierten Klavierkonzerts an, indem er die etablierte Form des Solokonzerts um den Aspekt des Sinfonischen erweitert. Eine verführerische Begegnung zwischen Apoll, dem Gott der Musik, und den Musen der Poesie, der Hymnendichtung und des Tanzes wartet in Strawinskys Ballettsuite zu „Apollon musagète“ von 1927/28.

Deutsch

At the opening of the 21/22 concert season, the Würzburg Philharmonic Orchestra is walking the mythological paths of music. The prelude to this is the overture to Christoph Willibald Gluck's "Orfeo ed Euridice". The opera, which premiered in 1762, tells the story of Orpheus, who appeases the gods of the underworld with his singing in order to bring his beloved Eurydice back to life, in music that is as gripping as it is touching.

Ludwig van Beethoven uses the interplay of complementary principles in the structure of his fourth piano concerto by expanding the established form of the solo concerto to include the symphonic aspect. A seductive encounter between Apollo, the god of music, and the muses of poetry, hymns and dance awaits in Stravinsky's ballet suite to "Apollon musagète" from 1927/28.

English

1. Sinfoniekonzert, Mensch - Mythos - Musik by Gluck, Beethoven, De (2023/2023), Regente Enrico Calesso, Hochschule für Musik, Karlsruhe, Alemanha

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