Name: Le convenienze ed inconvenienze teatrali
Start: 2022-05-07T00:00:00.000Z
End: 2022-06-10T00:00:00.000Z
Location: GöteborgsOperan

Organization

Conductor

Alexander Hanson

Sergej Bolkhovets

Stage director

Claes Eriksson

Translator

Set designer

Elisabeth Åström

Costume designer

Ulrika Wassén

Choreographer

Annika Lindqvist

Lighting designer

Joakim Brink

Singer

Kerstin Avemo

Gunilla Coriander

Mattias Ermedahl

TOBIAS CORIANDER

Soprano

Mia Karlsson

Luigia Castragatti

Bass

Åke Zetterström

Agata Scannagalli

Ann-Kristin Jones

Gabriella Vallinder

Viktor Johansson

MÖLLEMAN ”MÖLLE” WILLIAMSEN

Mats Persson

ALFREDO MADRALLI

Henrik Andersson

ÅKE MÖRK (PRODUCER)

GöteborgsOperan

suediera

Le convenienze ed inconvenienze teatrali -  ("Viva la mamma")

Gothenburg

Sweden

Operan

Stora scenen

Viva la mamma Donizetti

Public

"Viva la mamma"

ingelesa

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Baritone

Mezzo-soprano

Tenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

When the players quit the play and decorum slips away, gossip saves the day.

A big opera house is staging a production of a dramatic opera about love at the height of the Roman Empire. The director and producer have the best intentions, but they hadn’t bargained on the singers being quite so... shall we say, self-oriented. Rehearsals break down when each of the cast members insists on being at the centre – of the plot, the stage and the poster. When the second soprano’s formidable and self-important mother, Agata, storms in demanding that her daughter be given a glamorous role, half of the cast members quit the production. Fiasco looms as the production budget dwindles. But Agata knows that ‘When the players quit the play and decorum slips away, gossip saves the day’. She has compiled all her experiences from the industry into a compromising book expected to be a bombshell, for which her publisher has paid a generous advance. Could this money save the day?

Donizetti’s elegant and entertaining work Viva la mamma takes an ironic look at the difficulties that can arise before an opera premiere, cheekily poking fun at stereotypes. The opera is directed and translated by Claes Eriksson from the comedy troupe Galenskaparna, a director, scriptwriter, stage comedian, actor and composer. This is his first opera production. Expressed in his own words: ‘Because I’ve already been lucky enough to do everything I’ve dreamed of, I now only do things I could never have dreamed of.’

Viva la mamma, one of Donizetti’s early operas, was initially penned as a one-act opera entitled Le convenienze ed inconvenienze teatrali (1831), loosely ‘Theatrical adventures and misadventures’, which Donizetti later reworked into a two-act opera. Relegated to obscurity for a century, it was revived in the 1960s and has since enjoyed success on international stages under the punchier name of Viva la mamma.

English

"Viva la mamma" by Donizetti, Noiztik (2022/2022), Zuzendaria Claes Eriksson,, Zuzendaria Alexander Hanson, Sergej Bolkhovets, GöteborgsOperan, Gothenburg, Sweden

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