Name: 1st symphony concert Poulenc Liszt
Start: 2022-10-14T00:00:00.000Z
End: 2022-10-16T00:00:00.000Z
Location: Rudolf-Oetker-Halle

Organization

Direzione d'orchestra

Alexander Kalajdzic

Direzione del coro

Hagen Enke

Cantante

Soprano

Dušica Bijelić

Theater Bielefeld

Others

Bielefelder Opernchor

Orchestra

Bielefelder Philharmoniker

1st symphony concert Poulenc / Liszt

Bielefeld

Germania

Rudolf-Oetker-Halle

1st symphony concert Poulenc / Liszt: Concert

Private

Public

Concerto

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Tenore

Controtenore

Mezzosoprano

Basso-baritono

Baritono

Contralto

Basso

Alto

Mimi

Narrazione

Voce bianca

Francis Poulenc initially devoted himself to music as entertainment. He only began to compose sacred music after he had found his way back to the faith through the death of a friend. The experience of having to live in occupied France made him even more serious in his work, but in his late Gloria , composed in 1959Poulenc returns to his happy, melodic style and develops a simple interpretation of faith with his direct, almost sentimental response to the text. Franz Liszt, who actually achieved fame as a piano virtuoso, emulated Hector Berlioz in his orchestral compositions and strove for the "renewal of music through its more intimate connection with poetry"; in plain language: he composed symphonic poems instead of symphonies. At that time, as court conductor in Weimar, he was also responsible for the prosperous opera business. In 1854 he wrote his symphonic poem Orpheus as a prelude to a performance of Gluck's Orfeo ed Euridice, to pay homage to the »inventor of music and dance«, as the hero of Greek mythology is often called. Vexilla regis prodeunt was only rediscovered in 1978 and, as a piano piece, which it initially was, dates back to the Latin hymn composed by Venantius Fortunatus in the 6th century. In the 1860s, after a failed marriage, Liszt turned more and more to spiritual life and work – also in his compositions – and in 1865 he received minor orders, thanks to which he was able to be addressed as an abbe. In 1864 he had orchestrated Vexilla regis prodeunt . Les Préludes , written between 1848 and 1854, uses the cycle of poems Méditations poétiquesby Alphonse de Lamartine, who regards the phases of life merely as preludes to death. The fact that this music was appropriated by the National Socialists and used as a jingle for newsreels and Wehrmacht reports from the German-Soviet Front during World War II is a form of abuse that Liszt cannot be held responsible for.

English

1st symphony concert Poulenc / Liszt by Various, Da (2022/2022), Direttore d'orchestra Alexander Kalajdzic, Rudolf-Oetker-Halle, Bielefeld, Germania

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Team creativo

Ensemble

Programma, informazioni e sinossi

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