Name: 6. Symphoniekonzert: Nicholas Carter dirigiert Brahms
Start: 2023-02-02T00:00:00.000Z
End: 2023-02-02T00:00:00.000Z
Location: Casino Bern

Organization

Bühnen Bern

Pianist

Benjamin Grosvenor

Conductor

Nicholas Carter

Orchestra

Bern Symphony Orchestra

6. Symphoniekonzert: Nicholas Carter dirigiert Brahms

Berne

Switzerland

Casino Bern

Großer Saal

6. Symphoniekonzert: Nicholas Carter dirigiert Brahms: Symphony No.44 in E minor (+2 More)

Public

Symphony No.44 in E minor

Piano Concerto, op. 13

Symphony No. 3 in F Major, Op. 90

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

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Choir

Choreographer

Chorus Director

Chorus master

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Dancer

Dramaturge

Executive producer

Extra

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Illustrator

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Poet

Repetiteur

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Sound designer

Stage Manager

Stage director

Teacher

Translator

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Wig & Makeup Designer

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Writing and performance

Mezzo-soprano

Singer

Baritone

Bass-baritone

Tenor

Bass

Soprano

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Obwohl Symphonien von Kontrasten leben, können sie doch aufs Ganze gesehen eine bestimmte Färbung oder Tönung annehmen. Haydns e-Moll-Symphonie und Brahms’ Dritte sind einander dabei auf überraschende Weise ähnlich, beide wirken in sich gekehrt, fast versponnen. Schwermut oder Traurigkeit sucht man allerdings vergebens, auch wenn jemand zur Unterscheidung der vielen Haydn-Symphonien einst den Spitznamen «Trauersymphonie» an die Vierundvierzigste vergab.

Brittens Klavierkonzert bildet in seiner extrovertierten Grundhaltung einen schönen Kontrast zu den beiden Symphonien. Nicholas Carter, der seit der Saison 2021/22 als Chefdirigent und Co-Operndirektor der Oper Bern wirkt, wird durch sein Dirigat die drei Werke zweifellos in eine spannende Beziehung zueinander setzen. Im Tonfall ist Britten in seinem Klavierkonzert dem Altersgenossen Schostakowitsch sehr nahe, das Grotesk-Aparte spielt eine entscheidende Rolle. Da das Werk auch ein echtes Virtuosenstück ist, scheint es wie geschaffen für den jungen britischen Pianisten Benjamin Grosvenor. Schon als Neunzehnjähriger spielte er das Britten-Konzert bei den «Proms» in der Londoner Royal Albert Hall.

Although symphonies thrive on contrasts, when viewed as a whole they can take on a certain coloring or tint. Haydn's E minor symphony and Brahms' Third Symphony are surprisingly similar, both seem introverted, almost spun. One searches in vain for melancholy or sadness, even though someone once nicknamed the forty-fourth Haydn's symphony "mourning symphony" to distinguish it from the many.

With its extrovert attitude, Britten's Piano Concerto forms a nice contrast to the two symphonies. Nicholas Carter, who has been chief conductor and co-opera director of the Bern Opera since the 2021/22 season, will undoubtedly create an exciting relationship between the three works through his conducting. Britten's intonation in his piano concerto is very close to that of his contemporaries Shostakovich, and the grotesque-aparte plays a decisive role. Since the work is also a real virtuoso piece, it seems tailor-made for the young British pianist Benjamin Grosvenor. At the age of nineteen he played the Britten Concerto at the Proms in London's Royal Albert Hall.

English

Deutsch

6. Symphoniekonzert: Nicholas Carter dirigiert Brahms by Haydn, Britten, Brahms, Fra (2023/2023), Dirigent Nicholas Carter, Casino Bern, Berne, Switzerland

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