Name: 9. Sinfoniekonzert
Start: 2023-05-11T00:00:00.000Z
End: 2023-05-12T00:00:00.000Z
Location: Opernhaus

Organization

Conductor

Emilia Hoving

Instrumentalist

Georgiy Lomakov

Cello

Theater Magdeburg

Orchestra

Magdeburg Philharmonic

9. Sinfoniekonzert

Magdeburg

Germany

Opernhaus

9. Sinfoniekonzert: Concert Românesc Ligeti (+2 More)

Public

Concert Românesc

Cello concerto

Concerto for Orchestra

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Tenor

Baritone

Mezzo-soprano

Soprano

Bass

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

"Concert, generally a musical competition, but has a twofold application in musical language, namely: - every public performance of full-voiced pieces of music is called a concert, while every piece of music that a virtuoso performs as a solo player also bears this name. In the latter respect, one says solo concert when in such a piece of music the main voice is assigned to one instrument, double concert when the main roles are assigned to two instruments, and concert symphony, where the instruments compete alternately or together.” This was already known in Robert Schumann’s lifetime the women's conversation dictionary. And even if the works of Lutosławski or Ligeti would certainly have seemed unheard of to the educated classes in the mid-19th century, the two classics of the 20th At the beginning of the 20th century, it was already through their work titles that they wanted to be classified as a matter of course in the occidental formal and musical language. On the occasion of György Ligeti's 100th birthday, it is therefore worth re-examining the good old concert form musically.

English

„Concert, im Allgemeinen ein musikalischer Wettstreit, findet aber in der Musiksprache eine zweifache Anwendung und zwar: – heißt jede öffentliche Aufführung vollstimmiger Musikstücke ein Concert, während auch jedes Tonstück, welches ein Virtuos als Solospieler vorträgt, diesen Namen führt. In letzterer Beziehung sagt man Soloconcert, wenn in einem solchen Tonstücke die Hauptstimme einem Instrumente, Doppelconcert, wenn die Hauptrollen zwei Instrumenten zugetheilt sind, und Concertsymphonie, wo die Instrumente abwechselnd oder auch zusammengreifend mit einander wetteifern.“ So wusste es schon zu Robert Schumanns Lebzeiten das Damen-Conversationslexikon. Und auch wenn den gebildeten Ständen Mitte des 19. Jahrhunderts die Werke eines Lutosławski oder Ligeti sicher unerhört vorgekommen wären, zeigen die beiden Klassiker des 20. Jahrhunderts doch schon durch ihre Werktitel, dass sie sich ganz selbstverständlich in die abendländische Formen- und Musiksprache eingeordnet wissen wollten. Zum 100. Geburtstag von György Ligeti lohnt also die musikalische Neubefragung der guten alten Konzertform.

Deutsch

9. Sinfoniekonzert by Ligeti, Schumann, Lutosławski, Minn (2023/2023), Surmast Direttur Emilia Hoving, Opernhaus, Magdeburg, Germany

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

Ensemble

Programm, Dwar & Sinossi

Ritratti

Aktar qari

Dati u Postijiet ta' Prestazzjoni

Postijiet