Organization

Singer

Soprano

Hannah Greenshields

Leonore

Rachel Mink

Marzelline

Bass

Matthew Avery

Rocco

Tenor

Daniel Verschuer

Jaquino

Baritone

Henry Wright

Don Pizzaro

Joseph Raso

Florestan

Timothy Connor

Don Fernando

Mezzo-soprano

Elora Ledger

Octavian

Tessa Tessa Hayward

Sophie

The Marschallin

Pacific Opera

A Pocket Opera Double Bill

Sydney City

Australia

A Pocket Opera Double Bill: Fidelio Beethoven (+1 More)

Public

Fidelio

The Knight of the Rose

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Fidelio is Beethoven's only opera ever written and it tells how Leonore, disguised as a prison guard, rescues her husband Florestan from death in a political prison. Inspired by a true story, Fidelio combines Mozart-like grace and elegance with more dramatic writing, foreshadowing later composers such as Wagner.

​

Der Rosenkavalier (The Knight of the Rose) is Strauss' most famous opera and whilst a comedy on the surface, the opera muses on the passing of time and the challenges of growing old, as explored through the character of the Marschallin. The opera is dominated by female voices and as such, all of the opera’s love music is sung by women (a rarity).  The glorious final trio is one of the highlights of the opera and its best-known passage, along with the presentation of the rose. Strauss loved the trio enough to request that it be performed at his funeral. Don't miss our highlights of Der Rosenkavalier in this Pocket Opera double bill.

​

English

A Pocket Opera Double Bill by Beethoven, Strauss, Fra (2021/2021)

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Program, Information & Oversigt

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder