Organization

Singer

Countertenor

Constantin Goubet

Acteon

Soprano

Adèle Carlier

Diane

Mezzo-soprano

Marielou Jacquard

Junon

Judith Chemla

The Dreaming Woman

Stage director

Benjamin Lazar

Conductor

Geoffroy Jourdain

Opéra de Reims

Actéon

Reims

France

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Tenor

Bass-baritone

Bass

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

It is an unprecedented production! In a single sequence shot, shot live at the Théâtre du Châtelet, Les Cris de Paris delivers an exceptional interpretation of the lyric tragedy Actéon , staged by Benjamin Lazar.

Inspired by Ovid's Metamorphoses , Charpentier composed this “hunting opera” in 1684, based on the myth of Prince Actaeon who, having surprised the goddess Diana taking her bath, suffered a cruel vengeance. Far from the amiable idylls for which this type of short format was often intended,  Actaeon is a dazzling opera in which, during one act divided into six scenes, we go from carefree entertainment to absolute tragedy. Brilliant intuition on the part of the composer and his anonymous librettist, the opera unfolds a plot that presents no temporal ellipse, the bestial metamorphosis of Actaeon seeming to take place in real time.

Between the simplicity of the theatrical device and the refinement of the cinematographic effects, Benjamin Lazar offers a contemporary vision of this baroque work. On screen, the musicians and singers of Les Cris de Paris restore all the intensity of the drama in an emotional crescendo which culminates with the final complaint.

English

Actéon by Charpentier, M., Aπό (2022/2022), Σκηνοθετημένο από Benjamin Lazar,, αγωγός Geoffroy Jourdain

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