Name: Adam Fischer conducts Haydn and Bartok
Start: 2019-12-13T00:00:00.000Z
End: 2019-12-15T00:00:00.000Z
Location: Konzerthalle

Organization

Dyrygent

Adam Fischer

Śpiewak

Baryton

Miklós Sebestyén

Mezzosopran

Ruxandra Donose

Bamberg Symphony Orchestra

Adam Fischer conducts Haydn and Bartok

Bamberg

Niemcy

Konzerthalle

Adam Fischer conducts Haydn and Bartok: Concert Various

Public

Koncert

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Bas - baryton

Tenor

Kontratenor

Kontralt

Sopran

Alto

Continuo

Głos dziecięcy

Silent

Spoken

No audience ever forgets Haydn’s Symphony no. 45! An anecdote throws light on the programme behind this “farewell” symphony: when Haydn wrote this work in 1772, his employer Count Esterházy was so enamoured of his summer residence in the country that he spent longer and longer there each year. His musicians had to stay there, too – and after a long season, they were eager to finally return home. They asked Haydn for help, and the latter’s mischievous nature promptly inspired him to write an original symphony in which the usual grand finale breaks off and is replaced by a slow Adagio, during which the musicians leave the stage one by one. At the premiere, the count was at first disconcerted, but recognised what the symphony was trying to tell him. He is supposed to have said: “Very well, if they are all leaving, we should too.”

In our concert, the musicians and our conductor Adam Fischer will return to the stage, of course, accompanied by the two soloists Miklós Sebestyén and Ruxandra Donose, to perform Bartók’s only opera “Bluebeard’s Castle”. Written in 1911, its fiery music is full of elements taken from Hungarian folk melodies. Conjuring up splendid musical visions, the opera evokes a legendary tale: Duke Bluebeard takes Judith to his dark castle, which she is supposed to fill with joy and sunshine. She is permitted to open the seven locked doors – but with each key, she gets closer to his dark and lonely soul. Behind the last door is the room of the women Bluebeard loved before Judith – and she, too, is then locked inside. Bluebeard remains in darkness, unrecognised, shutting his dreams and memories of love away inside himself.

English

Adam Fischer conducts Haydn and Bartok by Various, od (2019/2019), Dyrygent Adam Fischer, Konzerthalle, Bamberg, Niemcy

Udział w spektaklu (Obsada & realizacja )

Obsada

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca