Name: Agrippina
Start: 2009-09-26T00:00:00.000Z
End: 2009-09-26T00:00:00.000Z
Location: Theater an der Wien

Organization

Cantor

Soprano

Svetlana Doneva

Agrippina

Contratenor

Paula Rasmussen

Nerone

Klara Ek

Poppea

Contralto

Iestyn Davies

Ottone

Baixo

Umberto Chiummo

Claudio

Raffaele Costantini

Pallante

Matteo Ferrara

Lesbo

Maestro

Alan Curtis

Antonio Giovannini

Narciso

Giunone

MusikTheater an der Wien

Orchestra

Il Complesso Barocco

italiano

Agrippina -  (Agripina)

Viena

Áustria

Theater an der Wien

Agripina

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo-barítono

Mezzo-soprano

Barítono

Tenor

Alto

Continuo

Silent

Spoken

Vocalista Infantil

The young Handel spent four years in Italy before, towards the end of his journey, on December 26, 1709, at the Teatro San Giovanni Grisostomo in Venice, he staged Agrippina. The opera saw 27 follow-up performances, which were extremely rare in Italy at the time: an extraordinary success for the 24-year-old composer. Handel experienced the high point of his stay in Italy in Venice and was extremely keen to experiment in dramma per musica. In addition to dacapo arias, he composed song-like parts and short ensembles. He carelessly mixed what had already been composed with bold innovations. The libretto came from the clergyman and diplomat Cardinal Grimani, who created one of the best dramaturgical models for a Handel opera with precise characterizations and the skilful linking of the storylines. For his own benefit,

Empress Agrippina wants to gain power in the state for her son Nerone. He should prepare himself for rule and win over the people. The news of the false death of her husband Claudio triggers a satirical, erotic game of intrigue about supremacy in ancient Rome, in which Cardinal Grimani the age under Pope Clement XI. and portrayed the dispute over the Spanish succession with a great sense of pathos and parody. In contrast to the bloody story, however, in the end, Emperor Claudio grants everyone what they originally desired: love for one, power for others.

Handel's biographer, the theologian John Mainwaring, noted full of praise about this late bloom of Venetian court culture: “The audience at the Handel performance was so charmed that a stranger of the kind with which the people were moved would have thought they were all insane . ”And Mainwaring reported enthusiastically about the performance:“ Whenever there was a short break, the audience shouted: Viva il caro Sassone, long live the dear Saxon! ”

English

Agripina by Händel, De (2009/2009), Regente Alan Curtis, Theater an der Wien, Viena, Áustria

Créditos do espetáculo (Elenco & Equipe )

Elenco

Conjunto

Programa, Sobre & Sinopse

Leitura adicional

Datas e locais de apresentação

Locais de Eventos