Name: Aida
Start: 2022-04-22T00:00:00.000Z
End: 2022-05-27T00:00:00.000Z
Location: Kungliga Operan

Organization

Conductor

Sian Edwards

Singer

Soprano

Christina Nilsson

Aida

Tenor

Andrea Carè

Radames

Mezzo-soprano

Katarina Dalayman

Amneris

Baritone

Johan Edholm

Amonasro

Bass

Alessio Cacciamani

Ramfis

Lennart Forsén

The King of Egypt

Daniel Ohlmann

A messenger

Wei Nan

Stage director

Michael Cavanagh

Lighting designer

Linus Fellbom

Costume designer

Magdalena Åberg

Set designer

Dramaturge

Katarina Aronsson

Ivan Defabiani

Angela Rotondo

A high priestess

Jessica Forsell

Kungliga Operan

Orchestra

Kungliga Hovkapellet

Others

Kungliga Operans Kör

italiană

Stockholm

Sweden

Aida Verdi

Public

suedeză

Approved

Kungliga Operans AIDA med premiär den 24 februari 2018.If you like this film, give it a like, comment and subscribe to our channel. We regularly post films a...

Trailer 2018/19: Aida

What role did Verdi and opera play in the 19th century? What did we see in AIDA 150 years ago? Open the lecture ›› Creating Italy - Verdi's and the opera's role in the unification of Italy 'is held by Tzortzis Ikonomou, senior lecturer in Italian at Stockholm University.
About 40 minutes in Swedish.
The open lecture was held in the Royal Opera's Gold Foyer on 8 March.

Can love overcome everything? Against a backdrop of war, power and religion, a society is collapsing. Here we find Aida, in the middle of the crossfire between two warring parties and captured by the enemy. Against all reason, she falls in love with Radamès. We see the impossible but relentless love between two young people fighting against a completely chaotic reality. Aida premiered in Cairo in 1871 and is one of Giuseppe Verdi's greatest successes.

Michael  Cavanagh's  loaded new interpretation of the classic  Aida  with Christina Nilsson in the title role focuses on the inner anxiety that devours the opera's heroic but vulnerable people, and the premiere in 2018 was a success. SvD described the performance as "a pure joy" and DN thought it was "difficult to imagine a sharper and fresher Aida". It was in this set that Christina Nilsson made her debut on the Royal Opera's big stage, and her efforts in the title role were praised. "This is a breakthrough of large dimensions," SvD wrote after the evening. "Hard to imagine a sharper and fresher Aida." Wrote DN.

English

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