Name: Amalie Stalheim & sinfoniettaen
Start: 2024-03-07T00:00:00.000Z
End: 2024-03-07T00:00:00.000Z
Location: Stormen Konserthus

Organization

Admin

Arktisk Filharmoni

Conductor

Johannes Gustavsson

Others

Instrumentalist

Cellist

Amalie Stalheim

Cello

Arktisk Filharmonis sinfonietta

Cello Soloist

Amalie Stalheim & sinfoniettaen

Bodø

Norway

Stormen Konserthus

Lille Sal

Public

Musikalisches Opfer, BWV 1079 (arr.  Anton Webern)

Figures at the Seaside

Symphony, op. 21

The Chamber Symphony No. 1 in E major, Op. 9

Pallavi Pawar

Approved

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Musette de cour Player

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Violinist

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Mezzo-soprano

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Spoken

Amalie Stalheim & sinfoniettaen: Musikalisches Opfer, BWV 1079 (arr.  Anton Webern) Bach, J. S. (+3 More)

Den norske cellisten Amalie Stalheim gjør en kometkarriere som solist. Med hennes helt spesielle musikalske karisma er vi sikre på at dette blir en konsertopplevelse som både begeistrer og berører. Sammen med dirigent Johannes Gustavsson og vår sinfonietta serveres et program som spenner fra Bach, via Webern og Schönberg, til svenske Britta Byström.

Stalheim spiller med en tilstedeværelse og innlevelse som begeistrer og berører, uansett musikksjanger. I formidling av ny musikk er hun rett og slett i en klasse for seg selv, og det er derfor stor stas at hun på sitt besøk i Bodø skal fremføre svenske Britta Byströms vakre, poetiske og klangrike Figures at the Seaside fra 2020.

I dette verket har Byström latt seg inspirere av et preludium av J. S. Bach, og Bachs stadige innflytelse på sin ettertids komponister kan knapt overvurderes. Det er vanskelig å se for seg en eneste én som ikke er påvirket av hans arbeid, og noen er mer inspirerte enn andre.

Bachs verk Ricercare, originalt skrevet for tangenter, er en voldsom maktdemonstrasjon av fugekunsten, og fremføres på denne konserten i Anton Weberns instrumentasjon. Resultatet er et stykke som er utrolig typisk både Bach og Webern på samme tid, der Weberns klangbehandling gir verket både et mektigere og et mer inderlig preg enn i originalversjonen.

Weberns lærer Arnold Schönberg lar i sin lidenskapelige, heftige og ville Kammersymfoni nr. 1 musikerne virkelig få kjørt seg. Her kreves det virtuositet hos alle femten, i et kortfattet, fortettet og nesten litt overveldende verk. Den fremstår som en fullverdig symfoni på tjue minutter, i en helt særegen stil som Schönberg kun i en kort periode av karrieren sin var innom.

norsk

The Norwegian cellist Amalie Stalheim has a meteoric career as a soloist. With her very special musical charisma, we are sure that this will be a concert experience that both excites and touches. Together with conductor Johannes Gustavsson and our sinfonietta, a program is served that ranges from Bach, via Webern and Schönberg, to Swedish Britta Byström.

Stalheim plays with a presence and empathy that excites and touches, regardless of the music genre. When it comes to communicating new music, she is simply in a class of her own, and it is therefore a great honor that on her visit to Bodø she will perform Swedish Britta Byström's beautiful, poetic and sonorous Figures at the Seaside from 2020.

In this work, Byström has been inspired by a prelude by JS Bach, and Bach's constant influence on composers after him can hardly be overestimated. It is hard to imagine a single person who has not been influenced by his work, and some are more inspired than others.

Bach's work Ricercare , originally written for keyboards, is a violent demonstration of the power of the art of fugue, and is performed at this concert in Anton Webern's instrumentation. The result is a piece that is incredibly typical of both Bach and Webern at the same time, where Webern's sound treatment gives the work both a more powerful and a more heartfelt touch than in the original version.

Webern's teacher Arnold Schönberg in his passionate, fierce and wild Chamber Symphony No. 1 really lets the musicians run wild. Here, virtuosity is required from all fifteen, in a concise, condensed and almost slightly overwhelming work. It appears as a full-fledged twenty-minute symphony, in a completely distinctive style that Schönberg only visited for a short period of his career.

English

Amalie Stalheim & sinfoniettaen by Bach, J. S., Byström, B., Webern, Schoenberg, Arnold, De (2024/2024), Director musical Johannes Gustavsson, Stormen Konserthus, Bodø, Norway

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