Name: American Lulu
Start: 2014-12-07T00:00:00.000Z
End: 2014-12-11T00:00:00.000Z
Location: Theater an der Wien

Organization

Instrumentalista

Olga Neuwirth

Dyrygent

Johannes Kalitzke

Reżyseria

Kirill Serebrennikov

Scenografia

Kostiumy

Reżyseria światła

Diego Leetz

Dramaturgia

Johanna Wall

Sergej Newski

Śpiewak

Sopran

Marisol Montalvo

Lulu

Della Miles

Eleanor

Jacques-Greg Belobo

Clarence

Bas - baryton

Claudio Otelli

Dr Bloom

Tenor

Rolf Romei

Jimmy

Young Man

Dmitrij Golovnin

Painter

Horst Lamnek

Athlete

Jane-Lynn Steinbrunn

Lulu-Double

Wideo

Gonduras Jitomirsky

MusikTheater an der Wien

angielski

American Lulu

Wiedeń

Austria

Theater an der Wien

Public

niemiecki

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baryton

Mezzosopran

Kontratenor

Kontralt

Alto

Continuo

Głos dziecięcy

Silent

Spoken

In 1935 Alban Berg left Lulu without the third act. In 1979, Friedrich Cerha was allowed to construct a “complete” version based on Berg's sketches, which until now was the only way to experience the piece in its entirety. The rights to Berg's music have been free since 2005 and the composer Olga Neuwirth decided to take a new female look at the “mythical female figure”. In order to give the events more socio-political relevance, they relocated Lulu's fate to America in the 1950s and 1970s. Neuwirth's Lulu is black. Racial discrimination is added to the issue of discrimination against women.

In 1950s New Orleans, Dr. Bloom took the beautiful young black Lulu out of the gutter and made him his lover. However, he does not want to confess to her and marries her to a professor. When she cheats on him with a photographer, the professor dies of a stroke. The subsequent marriage with the photographer also ends fatally for the husband: he shoots himself when he sees through the relationship between Lulu and Bloom. Then Lulu succeeds in marrying Bloom, because she only thinks she really loves him, but she cheats on him too. In the ensuing argument, she shoots Bloom and has to go to jail.
Women also fall for Lulu's charm: the singer Eleanor loves her and frees Lulu from prison at great personal sacrifice. Lulu flees to New York with Bloom's son Jimmy. There she worked successfully as a luxury call girl until the 1970s, but all emotions died in her. When Eleanor also leaves, Lulu sees herself at the mercy of the consequences of her job.

English

American Lulu by Neuwirth, od (2014/2014), W reżyserii Kirill Serebrennikov,, Dyrygent Johannes Kalitzke, Theater an der Wien, Wiedeń, Austria

Udział w spektaklu (Obsada & realizacja )

Obsada

Oprzyrządowanie

Załoga

Program, informacje i streszczenie

Dalsza lektura

Daty i miejsca występów

Miejsca